There are so many sides to every story
And this is mine
A dirty pair of hands sometimes has to come clean
And now is the time
I just couldnt see loves great defection
Now its flourishing in one dimension
Love went over the wall
Was it pushed or did it fall?
The official story was a 60/40 split
Cut with a knife
But now that Im ghostwriting your autobiography
This ought to be your life
You wouldnt have to be a great detective
To see the things you do to me are self-reflexive
They bounce right back from me
Cos Im a human trampoline
Seem now, its so hard to take
Heart to hearts that were heart for hearts sake
Now cupid only watches darts
Love is just the sum of its parts
Together we were a perfect circle
I think that we should get back again
Ill hold you close and well roll all the way
Down to lovers lane
Were just two sides of a vulgar fraction
Waiting for a little love interaction
When the borderline will fall
Without you I mean half of nothing at all
Looking back it seems like fake
Heart to hearts that were heart for hearts sake
I should have known right from the start
I want you know, I want the fake
I learnt the laws and found its just give and take
(you give and I take)
Ive got the guts, I will restart
And love is only the sum of its parts
Love is the sum of its parts
Yes it is.
John Wesley Harding è il nome d'arte di Robert Allen Zimmerman, meglio conosciuto come Bob Dylan. L'album "John Wesley Harding", pubblicato nel 1967, segna un cambio di direzione nella sua carriera musicale. Dopo l'esplosione del folk rock e le proteste sociali degli anni '60, Dylan si allontana da sonorità più elettriche e impegnate per abbracciare uno stile country-folk più introspettivo e minimalista. L'album presenta canzoni come "All Along the Watchtower", "The Ballad of Frankie Lee and Judas Priest" e "I Dreamed I Saw St. Augustine", che riflettono un approccio più personale e poetico, con testi spesso oscuri e enigmatici. L'influenza del country music è evidente in arrangiamenti semplici e melodie orecchiabili. John Wesley Harding rappresenta una fase di transizione per Dylan, segnando l'inizio di un percorso musicale che lo porterà a esplorare nuovi generi e sonorità.
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Kaleidoscope
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