Der eine wär' gern Franz
Der große Kaiser
Der andre möcht Jean-Paul Belmondo sein
Der dritte wär' gern Nicki Lauda
Und hat noch keinen Führerschein.
So mancher möchte gern der Hahn im Korb sein
Wenn Dolly Dollar eine Henne wär
Und viele wären schon mit zwanzig gerne Millionär.
Doch was sich auch ein andrer immer wünschen mag
Ich hab' nur einen Wunsch
Den hab' ich jeden Tag:
Ach
Laß mich doch in deinem Wald der Oberförster sein
Der Oberförster sein
Der Oberförster sein;
Dann kommt kein Wilddieb und kein fremder Jäger mehr hinein
Ach
Laß mich doch in deinem Wald der Oberförster sein!
Ach
Laß mich doch in deinem Wald der Oberförster sein
Der Oberförster sein
Der Oberförster sein;
Dann kommt kein Wilddieb und kein fremder Jäger mehr hinein
Ach
Laß mich doch in deinem Wald der Oberförster sein!
Der eine fummelt gern an seinem Auto
Der andre ist ein kleiner Trunkenbold
Und unser Nachbar joggt und radelt
Bis ihn vielleicht der Teufel holt.
Manch einer jagt gern buntkarierte Schürzen
Der andre jagt den Kohlen hinterher
Ich aber jage gern mit meinem großen Schießgewehr.
Doch was so mancher Mann auch zum Vergnügen tut
Ich möchte nur das eine
Das tut mir so gut:
Ach
Laß mich doch ...
Ach
Laß mich doch in deinem Wald der Oberförster sein
Der Oberförster sein
Der Oberförster sein;
Dann kommt kein Wilddieb und kein fremder Jäger mehr hinein
Ach
Laß mich doch in deinem Wald der Oberförster sein;
Ach
Laß mich doch in deinem Wald der Oberförster sein!
Yeah
Yeah. Oberförster!
Tony Marshall is a German singer and musician, known for his musical style that blends elements of pop, rock, and folk music. Born in Germany in 1942, he began his musical career in the 1960s as a member of the group Pride. After the group disbanded, he embarked on a solo career, achieving great success with the song "Das kleine Mädchen" (1973). Marshall is considered one of the most popular German artists of all time, thanks to his catchy music and energetic performances. Among his most famous songs are also "Ich bin so glücklich" (1975) and "Wir sind die Besten" (1980).
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