Las tardecitas de Buenos Aires tienen ese que se yo, viste?
Salgo de casa por Arenales, lo de siempre en la calle y en mi...
Cuándo, de repente, detras de un árbol, se aparece el.
Mezcla rara de penultimo linyera
y de primer polizonte en el viaje a Venus.
Medio melón en la cabeza,
las rayas de la camisa pintadas en la piel,
dos medias suelas clavadas en los pies
y una banderita de taxi libre levantada en cada mano.
Parece que solo yo lo veo,
Porque él pasa entre la gente y los maniquíes le guiñan,
los semáforos le dan tres luces celestes
y las naranjas del frutero de la esquina
le tiran azahares.
Y así, medio bailando y medio volando,
se saca el melón, me saluda,
me regalo una banderita y me dice:
(Cantado)
Ya sé que estoy piantao, piantao, piantao...
No ves que va la luna rodando por Callao,
que un corso de astronautas y niños, con un vals,
me baila alrededor... ¡Bailá! ¡Vení! ¡Volá!
Ya sé que estoy piantao, piantao, piantao...
Yo miro a Buenos Aires del nido de un gorrión
y a vos te vi tan triste... ¡Vení! ¡Volá! ¡Sentí!...
el loco berretín que tengo para vos.
¡Loco! ¡Loco! ¡Loco!
Cuando anochezca en tu porteña soledad,
por la ribera de tu sábana vendré
con un poema y un trombón
a desvelarte el corazón.
¡Loco! ¡Loco! ¡Loco!
Como un acróbata demente saltaré,
sobre el abismo de tu escote hasta sentir
que enloquecí tu corazón de libertad...
¡Ya vas a ver!
(Recitado)
Y asi diziendo, el loco me convida
a andar en su ilusión super-sport
Y vamos a correr por las cornisas
¡con una golondrina en el motor!
De Vieytes nos aplauden: "¡Viva! ¡Viva!",
los locos que inventaron el Amor,
y un ángel y un soldado y una niña
nos dan un valsecito bailador.
Nos sale a saludar la gente linda...
Y loco, pero tuyo, ¡qué sé yo!:
provoca campanarios con su risa,
y al fin, me mira, y canta a media voz:
(Cantado)
Quereme así, piantao, piantao, piantao...
Trepate a esta ternura de locos que hay en mí,
ponete esta peluca de alondras, ¡y volá!
¡Volá conmigo ya! ¡Vení, volá, vení!
Quereme así, piantao, piantao, piantao...
Abrite los amores que vamos a intentar
la mágica locura total de revivir...
¡Vení, volá, vení! ¡Trai-lai-la-larará!
(Gritado)
¡Viva! ¡Viva! ¡Viva!
Loca el y loca yo...
¡Locos! ¡Locos! ¡Locos!
¡Loca el y loca yo
Astor Pantaleón Piazzolla (Mar del Plata, 11 marzo 1921 – Buenos Aires, 4 luglio 1992) è stato un musicista, compositore e arrangiatore argentino, considerato uno dei più importanti innovatori della musica tango. Nato in una famiglia di origini italiane, Piazzolla iniziò a studiare il bandoneón all'età di sette anni. La sua formazione musicale fu influenzata da diversi generi, tra cui il jazz, la musica classica e il folklore argentino. Nel corso della sua carriera, Piazzolla ha rivoluzionato il tango tradizionale, introducendo elementi moderni e sperimentali. Ha composto oltre 400 opere, tra cui concerti, balletti, canzoni e pezzi per orchestra. Tra i suoi brani più famosi figurano "Libertango", "Oblivion" e "Milonga del Angel". Piazzolla ha collaborato con numerosi artisti internazionali, tra cui l'Orchestra Sinfonica di Buenos Aires e il Quartetto d'Archi di New York. La sua musica è stata rappresentata in tutto il mondo e continua ad essere apprezzata da un pubblico vasto e internazionale.
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