Yeah (Yo) (Mi alzi un po' il beat, bro?)
Okay yeah, look
Yeah, yeah, yeah, okay, yeah
Yeah, yeah (Frr, frr)
Capo moves perché sappiamo come muoverci
Ho tutte le Jordan dalla 1 alla 12
Scivolo sul basso, più rappo più siamo solidi
È l'ora del les workin' dalle dodici alle dodici
Vuole scopare qui, quo, qua, non sono in mood
Chiedo alla mia label il budget, mi risponde: "Fai un po' tu"
Le mie tasche sono grasse, variopinte di blu
Big bulls, Red Bull, big bounce
Mica tu che spari bullshit
Non voglio intorno la security
Tanto [?] fighe e ballas
Chi non mi ama, mi amerà
Non puoi ignorare sostanza, costanza, stile di Gacha
Lo swag è l'unicità
Entriamo da una sfilata vestiti Dolce & Gabbana
Non posso entrar? da Zara o la mia stilista si incazza (Bleah)
Le faccio un fischio, coinciso, sui soldi stra preciso (Uh-uh)
Balla sopra il t?mpo, segue il ritmo
Capo moves, perché sappiamo come muoverci
Dalle dodici alle dodici
Da un palazzo fanno su, giù, su, giù
Capo moves, perché sappiamo come muoverci
Perché i miei passi sono iconici
Con le mani tipo su, giù, su, giù
Rappo da quando tu dici: "Rimo da quando"
Ho fatto un disco d'oro a mammma, ora si aspetta il platino
Dividendo con i ballas, un po' ad uno, un po' all'altro
Cambio ordine degli addendi, ma non cambia il risultato
Glielo infilo e lei fa
Il mio commercialista guarda conti e pensa
Tu [?], sei un nacho, ti mangiamo in salsa barbecue
L'emergente preferito di 'sti rapper, devono solo captarlo
Capo moves, perché sappiamo come muoverci
Dalle dodici alle dodici
Da un palazzo fanno su, giù, su, giù
Capo moves, perché sappiamo come muoverci
Perché i miei passi sono iconici
Con le mani tipo su, giù, su, giù
Diss Gacha, real name Gabriele Pastero, is an Italian rapper active since 2016. Known for his aggressive rap style and intricate rhymes, he gained popularity thanks to mixtapes like "Senza Filtro" (2017) and "Diss Gacha Vol. 1" (2018). Some of his most representative tracks include "Non Mi Arrendo", "La Mia Storia" and "Fuoco Fatuo". His sound is influenced by trap and drill, with lyrics often focusing on street themes, violence and social distress.
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