This the morning after
The one's the night beforThey're calling at your windowThey're calling at you door
I wish I could remember what I did last night
If I was a good boy
Or if I started a fight They're coming down for breakfast
The butcher and his wifeHe's looking very angryShe's sitting very still
I hope to get it worked out soon
Of for sure I will
So much, so much for the evidence
So much, so much for the evidence Well, something's at the the OK CoralThey're hanging Jesse JamesThe naked lady's vanished
The policemen are on parade
Then along comes Sherlock HolmesThat lucky sycophantHe's just got back from AngolaSniffing cocaine in the tent
So much, so much for the evidence
John Cale is a Welsh musician and composer born in 1942. After studying music in London and New York, he joined The Velvet Underground in 1965, significantly contributing to their experimental and distinctive sound in the first two albums. Cale introduced the droning viola sound, a characteristic element of songs like "Venus In Furs". After the album *White Light/White Heat*, he left the band due to musical differences with Lou Reed. Cale desired to continue exploring experimental sounds, while Reed gravitated towards simpler pop songs. Cale embarked on a successful solo career, releasing albums such as *Vintage Violence* (1970) and *Paris 1919* (1973), influencing genres like experimental rock, ambient, and electronic music. Among his most representative tracks are "Gideon", "The Endless Plain of Glass" and "Hallelujah".
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
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