The bugger in the short sleeves fucked my wife
Did it quick and split
Back home, fresh as a daisy to maisy, oh maisy
And the twelve-bore it stood in the corner
Quite operatic in its self disgust
It blew him all over the living room floor
Like parrot shit, parrot spit, parrot shit was shot
Now suppose it was someone familiar
Someone we all would know
Embarrasing denouement, ne cest pas?
Familiar hyperbole
And there would go the secret plot
The piss had missed the hole in the pot
Like that ancient teenage dream
From soul to poison soul to poison soul
Guts, guts, got no guts
And stitches dont help at all
Guts, guts, got no guts
Holes in the body, holes in the legs
Holes in the forehead, holes in the head
Holes in the body, holes in the legs
There should never be holes at all
There should never be holes at all
So: kill all you want or more
Make sure, do it right
Dead is dead, and door nails forget
And then youll notice
How the waster and the wasted
Get to look like one another
In the end, in the end
In the end, in the end
In the end, in the end
In the end, in the end
John Cale è un musicista e compositore gallese, nato nel 1942. Dopo aver studiato musica a Londra e New York, si è unito ai The Velvet Underground nel 1965, contribuendo in modo significativo al loro sound sperimentale e distintivo nei primi due album. Cale introdusse il suono drone della viola, elemento caratteristico di brani come "Venus In Furs". Dopo l'album *White Light/White Heat*, ha lasciato la band a causa di divergenze musicali con Lou Reed. Cale desiderava continuare ad esplorare sonorità sperimentali, mentre Reed si orientava verso canzoni pop più semplici. Cale ha intrapreso una carriera solista di successo, pubblicando album come *Vintage Violence* (1970) e *Paris 1919* (1973), influenzando generi musicali come il rock sperimentale, l'ambient e la musica elettronica. Tra i suoi brani più rappresentativi si ricordano "Gideon", "The Endless Plain of Glass" e "Hallelujah".
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