Aa kanashimi yo sayonara
hajimete shiru fukai kurushimi mo
Aa kanashimi yo konnichiwa
Azayaka sugiru hodo adeyaka ni
Aa kanashimi yo sayonara chiruchiru mau
Round and round merry-go-round.
ochite miru wa
Bright life merry-go-round
Kokoro e...utsushidasu
kimi wa temaneki hohoende
toki no odoriko kidori
yagate yami no makuku to kie
karakara saketa
Aa kanashimi yo sayonara
kirukiru mau
Round and round merry-go-round.
Aa kanashimi yo sayonara
ochite miru wa
Bright life merry-go-round
kokoro e...nagaredasu
kimi wa chisome no te wa kazashi
subete go korosu
kimi go...kokoro o mo mata
Aa kanashimi yo sayonara
tayutausaga
Round and round merry-go-round.
Aa kanashimi yo konnichiwa
hateynai chuuzuri
Aa tanoshi
Boku wa kimi no me no naka ni boku no me o mitsuketa
soshite et cetera...
kimi wa boku no me no naka ni kimi no me o mitsuketa?
[musical interlude]
Aa kanashimi yo sayonara
chiruchiru mau
Round and round merry-go-round
Aa kanashimi yo sayonara
ochiru teru ni Bright life merry-go-round
Aa kanashimi yo sayonara
ochiteru me to shiru
kaiku no shimi no
Aa kanashimi yo konnichiwa
Azeyaka sugiru hoda adeyaka ni
Boku wa kimi no me no naka ni kimi no me o mitsuketa?
Közi, real name Koji Hagino, is a Japanese singer-songwriter and multi-instrumentalist born in 1969. Considered one of the pillars of the visual kei movement, Közi began his musical career in the 1980s with the band Malice Mizer, quickly gaining recognition for his intricate melodies and use of unusual instruments like the transverse flute. After the dissolution of Malice Mizer in 2001, Közi continued to work as a solo musician, releasing albums and collaborating with other visual kei artists. His musical style is characterized by a blend of progressive rock, gothic metal, and classical elements, often enriched by orchestral arrangements and melancholic atmospheres. Among his most representative songs are "Aoi Shiori", "Kimi no Uta" and "The End of the World". Közi is a versatile artist who has contributed to defining the aesthetics and music of visual kei, influencing generations of musicians.
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