En trente-neuf, cette année-lÃ
On commen
çait de faire la guerre
Moi, j'étais trop petite, je ne comprenais pas
Ce que c'était la guerre
Je regardais les fleurs et l'eau de la rivière
Ou je jouais aux caches sur la place aux ormeaux
Sur la place aux ormeaux
Il n'y avait plus de f
êtes, plus de bals populaires
Il n'y avait plus qu' des vieux sur la place aux ormeaux
Sur la place aux ormeaux
On prenait Radio Londres en cachette, derrière
L'ombre de nos rideaux
Tandis qu'on d
écoupait la France en deux morceaux
Et puis, ce fut enfin
L'année quarante-cinq
En quarante-cinq, cette année-lÃ
On finissait de faire la guerre
Moi, qui avais grandi, je ne comprenais pas
Pourquoi faire la guerre
Je regardais les fleurs et l'eau de la rivière
Des gar
çons m'embrassaient sur la place aux ormeaux
Sur la place aux ormeaux
Y avait des bals partout, plein de bals populaires
On cél
ébrait des noces sur la place aux ormeaux
Sur la place aux ormeaux
On prenait le soleil, s'enivrait de lumière
On tirait les rideaux
Tandis qu'on arrangeait l'Europe en plusieurs lots
La guerre était finie
Oui, mais enfin, depuis
Depuis ce temps, tout ce temps-lÃ
On continue de faire la guerre
Et moi, qui suis adulte, je n' comprends toujours pas
Pourquoi faire la guerre
Alors qu'il y a des fleurs, des oiseaux, des rivières
Et des enfants qui s'aiment sur la place aux ormeaux
Aujourd'hui, il fait beau
Aujourd'hui, mais demain se pourrait-il sur Terre
Qu'un paradis se meure et nous fasse défaut
Ã? tout jamais d
éfaut ?
Plus d'enfants au soleil, plus de paix sur la Terre
Plus de fleurs, plus d'oiseaux
Mais ce n'est pas possible, il fait tellement beau
Aujourd'hui, tellement beau
Sur la place aux ormeaux
Tellement beau
Juliette Gréco, born Juliette Laffont on February 7, 1927 in Istanbul, is a renowned French singer and actress. The daughter of a Greek father and an Italian mother, she spent her childhood between Istanbul and Paris. She began her musical career in the 1940s with jazz before dedicating herself to chanson after World War II. Her deep and intense voice, accompanied by poetic and often politically charged lyrics, has established her as one of the greatest interpreters of French music of the 20th century. Among her most celebrated songs are "La Javanaise", "Le Chant du Départ" and "L'Homme à la Guitare". Gréco has collaborated with prominent composers such as Jacques Prévert, Boris Vian and Charles Aznavour. Her artistic career has been marked by a strong political and social commitment, reflected in her songs and lifestyle. Throughout her long career, Juliette Gréco has received numerous accolades, including the César Award for Best Supporting Actress in 1978.
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