Quand ma mère jouait pour moi
Les impromptus de SchubertIl lui arrivait souvent de faire un accord à l'enversAlors, elle riait, honteuse
En disant je n'ai plus les doigts d'avantQuant à moi j'étais heureuse
Ce qui importe c'est l'instant présent
Quand elle quittait sa cuisine
Le tablier sous les seins
Si j'étais d'humeur chagrine j'en oubliais mes chagrins
Alors quelquefois pour rire
On jouait ensemble à quatre mains
Quand j'y pense je peux dire
Que c'était faux, mais que c'était bien
Alors j'esquintais Schubert et ma mère me grondait, j'aimais ça
Le jazz était déjà en moi et ma mère ne comprenait pas
Repartant dans sa cuisine
Elle me laissait avec cet air-là
Dans l'odeur des aubergines
Et quand je jouerai pour toi les impromptus de SchubertIl m'arrivera souvent de faire un accord à l'enversToi ma toute petite fille
Qui n'atteint pas encore le clavier
Tu ignores la mélodie
Tu l'ignores encore mais je t'apprendraiEt quand je jouerai Schubert en m'appliquant de mon mieux
Je verrai sur ton visage un grand sourire malicieux
Tu entendras mes fausses notes
Mais ce que je souhaite aujourd'huiComme tu ne seras pas sotteC'est que mon amour, tu l'entendes aussi
Marie-Paule Belle is a French singer and pianist known for her interpretations of chanson française. Born in France, she began studying music at a young age, showing a natural talent for both singing and piano. Her musical career developed mainly in the 1960s and 1970s, during which time she released several albums and participated in numerous French music festivals. Belle was appreciated for her warm and melodious voice, her poetic sensibility, and her ability to interpret texts with emotional depth. Some of her most representative songs include "L'amour est un oiseau rebelle", "La vie en rose" and "Sous le ciel de Paris". Although she did not achieve the international fame of some of her colleagues, Marie-Paule Belle remains an important figure in the history of chanson française, appreciated for her authenticity and talent.
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