I'm just in space like the rest of my race
Changin' cells frome day I was born
But I'm still the same though the meat has changed
Something's holding me together that's for sure
I find myself suspended in a vacuum
A vacuum that goes either way
But there must be something else to it
'cause the sun comes to me every day
When I see the truth I see it with my own imagery
It's my brain lying, trying to make me see,
That the truths is so big that it runs eternity
And small enough to fit inside me
Far away past a star into the void inside of me
Or smaller past the atoms that have nothing inside
Just the same as a car or a leaf or a star
Cannot move without command
Something moves me and without it I'd be no more living
Than a hole in the sand
Hold my hand feel it's warm touch from the fire inside
Hold my heart feel it's beating how I can't decide
I don't control my sleeping or when I dream away
But there must be something to it
For I wake up everyday
Graeme Charles Edge (1940-2023) was a British rock drummer, best known for his long collaboration with the progressive rock band The Moody Blues. Born in Birmingham, England, Edge began playing drums at the age of 15 and quickly distinguished himself for his technical and musical skills. In 1964, he joined The Moody Blues, becoming one of the cornerstones of the band's characteristic sound: complex rhythms, orchestral arrangements, and evocative melodies. Edge helped define the musical identity of the group with iconic albums such as *Days of Future Passed* (1967), *In Search of the Lost Chord* (1968) and *A Question of Balance* (1970). Besides his technical ability, Edge was known for his charismatic personality and his creative contribution to The Moody Blues' compositions. He continued to play with the band until 2017, when he retired from the music scene. Among the most representative songs by Edge with The Moody Blues are *Nights in White Satin*, *Tuesday Afternoon* and *The Voice*.
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