Malena canta el tango como ninguna
y en cada verso pone su corazón.
A yuyo del suburbio su voz perfuma,
Malena tiene pena de bandoneón.
Tal vez allá en la infancia su voz de alondra
tomó ese tono oscuro de callejón,
o acaso aquel romance que sólo nombra
cuando se pone triste con el alcohol.
Malena canta el tango con voz de sombra,
Malena tiene pena de bandoneón.
Tu canción
tiene el frío del último encuentro.
Tu canción
se hace amarga en la sal del recuerdo.
Yo no sé
si tu voz es la flor de una pena,
só1o sé que al rumor de tus tangos, Malena,
te siento más buena,
más buena que yo.
Tus ojos son oscuros como el olvido,
tus labios apretados como el rencor,
tus manos dos palomas que sienten frío,
tus venas tienen sangre de bandoneón.
Tus tangos son criaturas abandonadas
que cruzan sobre el barro del callejón,
cuando todas las puertas están cerradas
y ladran los fantasmas de la canción.
Malena canta el tango con voz quebrada,
Malena tiene pena de bandoneón.
Astor Pantaleón Piazzolla (Mar del Plata, March 11, 1921 – Buenos Aires, July 4, 1992) was an Argentine musician, composer, and arranger, considered one of the most important innovators of tango music. Born into an Italian-Argentine family, Piazzolla began studying the bandoneón at the age of seven. His musical training was influenced by various genres, including jazz, classical music, and Argentine folklore. Throughout his career, Piazzolla revolutionized traditional tango by introducing modern and experimental elements. He composed over 400 works, including concertos, ballets, songs, and orchestral pieces. Among his most famous compositions are "Libertango", "Oblivion", and "Milonga del Angel". Piazzolla collaborated with numerous international artists, including the Buenos Aires Symphony Orchestra and the New York String Quartet. His music has been performed worldwide and continues to be enjoyed by a vast and international audience.
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