Mercenaries, abuseless, disunited, unfaithful
They have never enough to keep them in a battle
Other than a meager wage
Which is just about enough to make them wanna kill for you
But not enough to make them wanna die for ya I'm just another soldier boyI'm just another soldier boy
Looking for work
Looking for work
Looking for work My rifle is my friend
My rifle is my friend
I clean my rifle everyday
I clean my rifle everydayThat's why my rifle is my friend Ready for war, ready for war
Ready for war, ready for war
Ready for war, ready for war
Ready for war, ready for war Did some work in Zaire, the jolly old Belgian CongoWent back to Geneva to get paid
Back there in Geneva, that's were the money growsThat's were the money grows, that's were the money flows They didn't wanna pay me
They didn't wanna pay me, but they did
Try to separate me from my money is try to separate me from my life Ready for war, ready for war
Ready for war, ready for war
Ready for war, ready for war
Ready for war, ready for war Let's go to Moscow, let's go to MoscowLet's go, let's go, let's go to MoscowFight the battle to the KremlinPush it down and walk on in 5000 feet and closing
Target visibility one nine4000 feet and closing
Target visibility two six3000 feet and closing
Target visibility seven nine2000 feet and closing
Visibility one ten1000 feet and closing
Visibility seven four500 feet and closing
Target visibility zero! Ready for war, ready for war
You better be ready for war
Ready for war, ready for war
Are you ready for war
Ready for war, ready for war Baby You Know
John Cale is a Welsh musician and composer born in 1942. After studying music in London and New York, he joined The Velvet Underground in 1965, significantly contributing to their experimental and distinctive sound in the first two albums. Cale introduced the droning viola sound, a characteristic element of songs like "Venus In Furs". After the album *White Light/White Heat*, he left the band due to musical differences with Lou Reed. Cale desired to continue exploring experimental sounds, while Reed gravitated towards simpler pop songs. Cale embarked on a successful solo career, releasing albums such as *Vintage Violence* (1970) and *Paris 1919* (1973), influencing genres like experimental rock, ambient, and electronic music. Among his most representative tracks are "Gideon", "The Endless Plain of Glass" and "Hallelujah".
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