Deep down in Louisiana
Way down by the 'cane
Lived a Mambo, named of Queenie
She sure deal out some pain
Like the deep ole' Atchafalaya
Her soul was dark as mud
Suck your life out just like quicksand
Leave you choking on your blood
You better pray boy, pray
Because you're prey boy, prey
You better pray boy, pray
Gotta get down on your knees
Old Sonnier got a shotgun
Mad as he could be
Goin' to shoot young Queenie
The girl would not let him be
No chance to pull the trigger
She had him on his knees
Too late to beg for mercy
Time for him to bleed
You better pray boy, pray
Because you're prey boy, prey
You better pray boy, pray
Gotta get down on your knees
Recoil is the musical project of Alan Wilder, keyboardist and composer known for his collaboration with Depeche Mode from 1982 to 1995. After leaving the band, Wilder launched Recoil in 1986, exploring more experimental and introspective electronic soundscapes compared to the synth-pop impact of Depeche Mode. Recoil is characterized by a dark ambient sound, with influences from post-industrial and classical music. Wilder has collaborated with numerous artists, including Gary Numan and The Cure. Among Recoil's most representative tracks are "The Final Hour", "Starstruck" and "Subterranean", featured on albums such as "Horsepower" (1986) and "Liquid". Recoil continues to be active with new albums and tours, maintaining a loyal following among fans of experimental electronic music.
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