This night is fire to wake the dead
And you fuel the flame
If you plan on living, you should run
Keep running faster
Don't look back for anything
You cannot kill that which is already dead
You know it's begun when you turn on yourself
Imagine the betrayal
And you can't trust the loved ones you've had
Don't ever take a chance with the undead
Aim for the head
Resort to your instinct as they will resort to this
Feed the hunger, your pity
We want brains
You'll never take us alive
Sunrise brings new meanings of pain
I can't sleep, and they don't need
They stop at nothing
Their numbers are still growing
Watch your hopes get dismembered
Like those who fell behind us
Ripped from limb to limb
There's no fighting this infection
It spreads like the rumor that we have a fighting chance
No feelings, no heart
Just starving for something living
The horror is real
Extinction is coming morning
I paniced when I saw that the tears were not falling from your eyes
As I thrust this blade into the place that used to be your heart
I'm running from all of this ungrateful horror
I can't keep going, why don't you just die
No feelings, no heart
Just starving for something living
The horror is real
Extinction is coming morning
Dora Maar (Henriette Theodora Markovitch), born in Les Ulis, France on November 19, 1907, and died in Paris on July 16, 1997, was a French photographer, poet, and painter of Croatian origin. Considered a key figure in Surrealism, Maar distinguished herself for her innovative and suggestive photographs, often characterized by a dreamlike and symbolic atmosphere. Her artistic career was deeply influenced by her relationship with Pablo Picasso, who portrayed her in numerous works and introduced her to the world of surrealist art. Among her most notable works are the photographs of Paris during the 1930s and the photographic portrait of Picasso from 1937. Maar also collaborated with other surrealist artists such as André Breton and Max Ernst, contributing to the birth of a new artistic language that explored the unconscious and the dreamlike reality. Besides photography, Maar also dedicated herself to poetry and painting, leaving behind a rich and varied artistic legacy.
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