Strange times in casablanca when people pull down their shades
And its easy enough for us to look at each other and wonder why
We were to blame
Blame comes remorselessly transfixed
Like the sound of slamming doors
And doors have doors have doors have doors have doors
Like companions have pets they sleep in each others mattresses
Like maggots in despair
And bleed in each others nests and make a mess of each others snares
Strange times in casablanca
Strange times
They make some striking couples
They make some frustration of the call
And only those who are satisfied by friendship would even pay
Attention to it all
It comes like mail or telegrams
It comes expectant as a widow in heat as a widow in the searing heat
And that contentment of depression that delivers most of the time
But cannot help the styling of the horns in the shape of gargoyle
Broken prints savage fingers
Undertaken catamaran
Strange times in casablanca
Weve turned our back on it once before
And we can hear from across the waters what damage it will cause us
And you can smash once more
And they can smash once more
But I dont think anybody wants to smash anymore
John Cale is a Welsh musician and composer born in 1942. After studying music in London and New York, he joined The Velvet Underground in 1965, significantly contributing to their experimental and distinctive sound in the first two albums. Cale introduced the droning viola sound, a characteristic element of songs like "Venus In Furs". After the album *White Light/White Heat*, he left the band due to musical differences with Lou Reed. Cale desired to continue exploring experimental sounds, while Reed gravitated towards simpler pop songs. Cale embarked on a successful solo career, releasing albums such as *Vintage Violence* (1970) and *Paris 1919* (1973), influencing genres like experimental rock, ambient, and electronic music. Among his most representative tracks are "Gideon", "The Endless Plain of Glass" and "Hallelujah".
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