Pizzicato Five

Lyrics Sunday impressions Pizzicato Five

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Sunday impressions


boku no
nanimo kamo ga
iya ni natta
nichiyo no gogo
niji-han sugi
hidoku jikan wo
kakete
bathroom de
hige wo sotteta
toshi wo totte
zurui kao ni natte
tada hidoku
kutabireteru
kagami no naka no
arifureta otoko
arifureta hanashi
arifureta
nichiyo no gogo
subete
akirametara
hima ni natta
nichiyo no gogo
goji-han sugi
boku wa
gaiya-seki de
taikutsu na shiai wo
mite ita
koi no tabi ni
koi no owari no
koto wo
kangaeta
kimi ni totte wa
kinen subeki hi
arifureta futari
arifureta hanashi
arifureta
nichiyo no gogo
bathroom ni
kagi wo kaketa
mama de
mo dare mo boku ni
aenai
kore de sayonara
hige wo sorioeta
arifureta otoko
arifureta hanashi
arifureta
nichiyo no gogo
hidoku
tsumaranai otoko
arifureta hanashi
arifureta
nichiyo no gogo

mo dare mo boku ni
aenai
----------------------------
i started hating
everything about myself
on a sunday
afternoon
a bit past two-thirty
spent a long time
locked up in
the bathroom
shaving staring at my own face
i got older
i look like a crook
i look
so tired
a vulgar man
stares back at me
such a vulgar story
such a vulgar
sunday afternoon
i gave up
doing anything
and then
i had nothing to do
on a sunday afternoon at 5:30 pm
i was sitting at
the outfield bleachers
watching a boring
game
when i fall in love
i start thinking about
the end of
love
this is a day
to remember
our vulgar couple
such a vulgar story
such a vulgar
sunday afternoon
i locked myself up
in the bathroom
realised
nobody wants
to see me
i suppose this is good-bye
as i finished shaving
a vulgar man
a vulgar story
were staring back at me
on a vulgar sunday afternoon
i am
such a boring guy
such a vulgar story
such a vulgar
sunday afternoon

nobody wants
to see me

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Biografia

Pizzicato Five (often known simply by the initials P5) is a Japanese pop group best known to audiences in the West in their later incarnation as a duo of Maki Nomiya and Yasuharu Konishi. The group, widely credited (along with Flipper's Guitar) with spearheading the shibuya-kei movement of Tokyo in the 1990s, is known for eclectic and energetic compositions that often sound like "new" releases from the late 1960s hipster scene. The catchphrase "A New Stereophonic Sound Spectacular" captured the group's ironic stance and eager attitude. The group broke up in March 2001.

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