We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot's house.
Inside, above the din and fray,
We heard the loud musicians play
The "Treues Liebes Herz" of Strauss.
Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.
We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.
Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille.
They took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.
Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.
Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a living thing.
Then turning to my love, I said,"
The dead are dancing with the dead,
The dust is whirling with the dust." But she - she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.
Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.
And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.
Oscar Wilde
In The Nursery is a musical project based in Sheffield centered around twin brothers Klive and Nigel Humberstone. Active for over 25 years, the group has constantly demonstrated its desire for progress and experimentation. Their sublime and cinematic music blends electronic elements, classical arrangements, orchestral percussion and soundscapes that evoke a timeless quality. In The Nursery is known for using unusual instruments and innovative techniques, creating a unique and hypnotic sound. Their albums are often characterized by long instrumental tracks and evocative atmospheres, inviting the listener to immerse themselves in imaginary sonic worlds. Some of their most representative tracks include "The Nursery", "A Thousand Years" and "The Last Day".
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