The king puts on his raiment
And surveys the royal scene
And tries to put his finger on
The source of all his ennui
But when something goes, its gone, you know
Starts at the top, spreads down
Just check out the faded bodywork
Beneath his rusted crown
Theyre waiting for impeachment
But they cant see the day
The queen cant give him any heirs
The word is hes to blame
So he beheads her for amusements
And now hes quoting nietzsche
Youd think that he would have known
She was his one redeeming feature
But the king isnt dead, the kings dead boring
Thats the song that the millions sing
You name it, hes lost it, he lacks everything
The king is dead boring
He used to be a don juan
Now hes just the royal slut
Knocking up the servant girls
Waking up a half-cut
He gets a chance to win them back
But gives them some old spiel
And all they sees the ghost
Of his former ex-appeal
But the king isnt dead, the kings dead boring
Thats the song that his minions sing
You name it, hes lost it, he lacks everything
The king is dead boring
They used to sing long live the king
He was the man with everything
But now they shout
Get that dull bastard out
He used to be so carnaby
So out of all our leagues
Now its all that he can do
To zip up his fatigues
If only he could make excuses
Engage with us somehow
But effort is so out of place
And failures not allowed
Because the king isnt dead, the kings dead boring
Thats the song that the millions sing
You name it, hes lost it, he lacks everything
The king is dead boring
John Wesley Harding è il nome d'arte di Robert Allen Zimmerman, meglio conosciuto come Bob Dylan. L'album "John Wesley Harding", pubblicato nel 1967, segna un cambio di direzione nella sua carriera musicale. Dopo l'esplosione del folk rock e le proteste sociali degli anni '60, Dylan si allontana da sonorità più elettriche e impegnate per abbracciare uno stile country-folk più introspettivo e minimalista. L'album presenta canzoni come "All Along the Watchtower", "The Ballad of Frankie Lee and Judas Priest" e "I Dreamed I Saw St. Augustine", che riflettono un approccio più personale e poetico, con testi spesso oscuri e enigmatici. L'influenza del country music è evidente in arrangiamenti semplici e melodie orecchiabili. John Wesley Harding rappresenta una fase di transizione per Dylan, segnando l'inizio di un percorso musicale che lo porterà a esplorare nuovi generi e sonorità.
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