The Biltmore garage wants a grand
But we ain't got a grand on hand.
And they now got a lock on the door
To the gym at P.S. 84.
There's the stock room behind the McCloskey's bar.
But Mrs. McCloskey ain't a good scout.
And things being how they are
The back of the police station is out!
So the Biltmore garage is the spot.
But the one thousand bucks we ain't got.
Why it's good old reliable Nathan!
Nathan, Nathan, Nathan, Detroit!
If you're looking for action, his firm is the spot.
Even when the heat is on, it's never too hot.
Not for good old reliable Nathan!
Where it's always just a short walk
To the oldest established, permanent floating,
Crap game in New York
There are well-heeled shooters everywhere, everywhere
There are well-heeled shooters everywhere.
And an awful lot of lettuce
For the fella who can get us there. If we only had a lousy little grand
We could be a millionaire!
That's good old reliable Nathan!
Nathan, Nathan, Nathan, Detroit!
If the size of your bundle you want to increase
He'll arrange that you go broke in quiet and peace
In a hideout provided by Nathan
Where there are no neighbors to squawk.
It's the oldest established permanent floating
Crap game in New York.
Where's the action? Where's the game?
Gotta have the game
Of we'll die from shame.
It's the oldest established, permanent floating
Crap game in New York!
Frank Henry Loesser (1910-1973) was an acclaimed American composer and lyricist, known for his catchy melodies and witty lyrics. Born in New York to a Jewish family, Loesser began his career as a jazz musician in the 1920s, writing songs for vaudeville and Broadway. His breakthrough came with the musical "Guys and Dolls" (1950), which earned him a Pulitzer Prize and a Tony Award. Among his other notable works are "The Most Happy Fella" (1956) and "How to Succeed in Business Without Really Trying" (1962). Loesser was a master at composing memorable songs that have stood the test of time, such as "Baby, It's Cold Outside", "If I Were a Bell", and "Luck Be a Lady". His music has influenced generations of composers and remains an integral part of American musical history.
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