White light
Goin messing up my mind
White light
Dont you know its gonna make me go blind?
White heat
Iit tickles me down to my toes
White light
Have mercy white light have it goodness knows
White light
White light
Goin messing up my brain
White light
Oh, white light
Its gonna drive me insane
White heat
White heat it tickles me down to my toes
White light
Oh, white light I said now, goodness knows, do it
White light
Oh, I surely do love to watch that stuff drip itself in
White light
Watch that side, watch that side
Dont you know gonna be dead and dried
White heat
Yeah foxy mama watchin me walking down the street
White light
Come upside your head, gonna make a dead hang on your street
White light
Movin me between my brain
White light
Gonna make you insane
White heat
Oh, white heat it tickles me down to my toes
White light
Oh, white light, I said now, goodness knows
White light
Oh, white light it lightens up my eyes
White light
Dont you know it fills me up with surprise
White heat
Oh, white heat tickle me down to my toes
White light
Oh, white light, Ill tell you now, goodness knows, now work it
White light
Oh, she surely do move speed
Watch that speed freak, watch that speed freak,
Yeah were gonna go and make it every week
White heat
Oh, sputter mutter, everbodys gonna kill their mother
<>white light
Here she comes, here she comes
Everybody get it, gonna make me run
Do it
John Cale is a Welsh musician and composer born in 1942. After studying music in London and New York, he joined The Velvet Underground in 1965, significantly contributing to their experimental and distinctive sound in the first two albums. Cale introduced the droning viola sound, a characteristic element of songs like "Venus In Furs". After the album *White Light/White Heat*, he left the band due to musical differences with Lou Reed. Cale desired to continue exploring experimental sounds, while Reed gravitated towards simpler pop songs. Cale embarked on a successful solo career, releasing albums such as *Vintage Violence* (1970) and *Paris 1919* (1973), influencing genres like experimental rock, ambient, and electronic music. Among his most representative tracks are "Gideon", "The Endless Plain of Glass" and "Hallelujah".
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