Theres a man in a pitch black hat
And his underwears made of mud
He jumps like a pouncing cat
And he lands with a sickening thud
His head is surrounded by ravens
The plague has progressed to his heart
Best that you meet him clean shaven
Cos his razor is not kept sharp
And hes wearing a wooden overcoat
Hes known in the underworld
He lives in the undergrowth
And hes knowingly undersold
Though hes never been under oath
His devils are arrayed in armies
And his angels will fix the fight
Hell shape you like origami
And throw you away at night
And hes wearing a wooden overcoat
His house is a damp museum
And all of his servants worms
Mating in mausoleums
Licking the floor for germs
And his cabinets full of wonders
Theres specimens everywhere
Hes negative six feet under
And has to submerge for air
And hes wearing a wooden overcoat
Dont ever act too humble
Dont eat away thy heart
Hes tearing apart each dungeon
His tails an evil dart
And hes wearing a wooden overcoat
John Wesley Harding is the stage name of Robert Allen Zimmerman, better known as Bob Dylan. The album "John Wesley Harding", released in 1967, marks a turning point in his musical career. After the explosion of folk rock and the social protests of the 1960s, Dylan moves away from more electric and engaged sounds to embrace a more introspective and minimalist country-folk style. The album features songs like "All Along the Watchtower", "The Ballad of Frankie Lee and Judas Priest" and "I Dreamed I Saw St. Augustine", which reflect a more personal and poetic approach, with lyrics often dark and enigmatic. The influence of country music is evident in simple arrangements and catchy melodies. John Wesley Harding represents a transitional phase for Dylan, marking the beginning of a musical journey that will lead him to explore new genres and sounds.
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