Always take a win, never will I lose
Fifty dollar shots for the 1942
Be careful who you talkin' with
Don't mention my name in your arguments
It's easy to sleep when the money right
And none of this came'to?me?overnight
We can't letàno lame niggas?eat with us
Hit-boy drop, cut the speakers up (Pshh)
I'm in a '87 Benzo
She said, "Twenty can you buy me that new Kenzo"
You should roll the Pass first
Late text message, send that ass first
We in La Jolla, on the ocean (Pshh)
For the money, I ain't lofting
Y'all the players, Young Twenty, I'm the coach, yeah
Twenty-four hits, summertime with your bitch (It's class, it's class, it's class)
I'm in a '87 Benzo
She said, "Twenty can you buy me that new Kenzo"
We can't let no lame niggas eat with us
Hit-boy drop, cut the speakers up
Look, get in where you fit in, that's the motto
Told her, "if you love it, you'll swallow"
My homie got caught with them high-lows
A role model, but my moves you shouldn't follow
Trust, I'on got enough of it
I'm like, "what budgetà"
We gon' ball til we fall, that's period
I got rubber bands on this stack of hundreds
Hit like the Backwoods right off the oven
I'm upstairs with a handful of hair
Got her mouth on my wood
Baby, tell me what's good
You do a lot of posting on the Gram
Land Rover in her plans, restaurant eating clams (Go)
I'm in a '87 Benzo (Whatà?)
She said, "Twenty can you buy me that new Kenzo"
Niggas not fuckin' with us
We can't let no lame niggas eat with us (Hahaha)
Hit-boy drop, cut the speakers up (Uh)
I'm in a '87 Benzo (Whatà? yeah)
I'm in a '87 Benzo
She said, "Hit, I need you to switch up the tempo"
At Gucci in Hawaii spendin' off impulse
Show me you ain't one, I treat you like my kinfolk
She thick like she come from Baton Rouge
We could travel faster than bad news
14 karat bamboos in your ear
Put you in the 21 if we make it a year
Marvin Gaye on auxiliary, hear my dear
TIl then, we stack mail
It's no feeling, like pushing a Benzel
They won't ever paint me too nice
Came up on the Westside, which mean blue dice
Get too high, end up paying the price
Smooth alcoholic, I don't know what to call it
Is it love or is it lustà
Say I work too much, I'on keep in touch
I let you drive the truck, am I bae or whatà?
Shoes off, like french vanilla candles
I'm glad you played your cards right
I'm in a '87 Benzo
She said, "Twenty can you buy me that new Kenzo" (Whatà?)
We can't let no lame niggas eat with us
Hit-boy drop, cut the speakers up
I'm in a '87 Benzo (What, whatà?)
I'm in a '87 Benzo (Pshh)
Hit-Boy, real name Chauncey Alexander Hollis Jr., is an American record producer, rapper, and songwriter born in Atlanta, Georgia, in 1989. Considered one of the most influential hip hop producers of recent years, Hit-Boy has collaborated with world-renowned artists such as Kanye West, Jay-Z, Beyoncé, Drake, and Nas. His production style is characterized by innovative beats and catchy melodies, often with a vintage touch reminiscent of the 1990s. In addition to production, Hit-Boy also dedicates himself to songwriting and rapping, releasing several mixtapes and albums in collaboration with other artists. Among his most notable tracks are "Niggas In Paris" (Kanye West feat. Jay-Z), "The Story Of Adidon" (Drake) and "What A Time To Be Alive" (Drake and Future). Hit-Boy has won numerous awards, including a Grammy Award for his production on "Niggas In Paris".
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
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