(La cima)
Ti t’adesciàe ‘nsce l’èndegu du matin
ch’à luxe a l’à ‘n pè ‘n tera e l’àtru in mà
Ti sveglierai sull’indaco del mattino
quando la luce ha un piede in terra e l’ altro in mare
ti t’ammiàe a ou spègiu dà ruzà
ti mettiàe ou brùgu rèdennu’nte ‘n cantùn
ti guarderai allo specchio di un tegamino
metterai la scopa dritta in un angolo
che se d’à cappa a sgùggia ‘n cuxin-a stria
a xeùa de cuntà ‘e pàgge che ghe sùn
‘a cimma a l’è za pinn-a a l’è za cùxia
che se dalla cappa scivola in cucina la strega
a forza di contare le paglie che ci sono
la cima è già piena è già cucita
Cè serèn tèra scùa
carne tènia nu fàte nèigra
nu turnà dùa
Cielo sereno terra scura
carne tenera non diventare nera
non ritornare dura
Bell’oueggè strapunta de tùttu bun
prima de battezàlu ‘ntou prebuggiun
Bel guanciale materasso di ogni ben di Dio
prima di battezzarla nelle erbe aromatiche
cun dui aguggiuìn dritu ‘n pùnta de pè
da sùrvia ‘n zù fitu ti ‘a punziggè
àia de lùn-a vègia de ciaèu de nègia
con due grossi aghi dritti in punta di piedi
da sopra a sotto svelto la pungerai
aria di luna vecchia di chiarore di nebbia
ch’ou cègu ou pèrde ‘a tèsta l’àse ou sentè
oudù de mà misciòu de pèrsa lègia
cos’àtru fa cos’àtru dàghe a ou cè
che il chierico perde la testa e l’asino il sentiero
odore di mare mescolato a maggiorana leggera
cos’altro fare cos’altro dare al cielo
Cè serèn tèra scùa
carne tènia nu fàte nèigra
Cielo sereno terra scura
carne tenera non diventare nera
nu turnà dùa
e ‘nt’ou nùme de Maria
non ritornare dura
e nel nome di Maria
tùtti diài da sta pùgnatta
anène via
tutti i diavoli da questa pentola
andate via
Poi vegnan a pigiàtela i càmè
te lascian tùttu ou fùmmu d’ou toèu mestè
Poi vengono a prendertela i camerieri
ti lasciano tutto il fumo del tuo mestiere
tucca a ou fantin à prima coutelà
mangè mangè nu sèi chi ve mangià
tocca allo scapolo la prima coltellata
mangiate mangiate non sapete chi vi mangerà
Cè serèn tèra scùa
carne tènia nu fàte nèigra
nu turnà dùa
e ‘nt’ou nùme de Maria
tùtti diài da sta pùgnatta
anène via.
Cielo sereno terra scura
carne tenera non diventare nera
non ritornare dura
e nel nome di Maria
tutti i diavoli da questa pentola
andate via
Fabrizio De André (Genova, February 18, 1940 – January 27, 1999) was one of the most influential and original Italian singer-songwriters of the 20th century. Born into a bourgeois Genoese family, De André approached music at a young age, influenced by artists like Brassens and jazz. After a period of interrupted university studies, he began performing in Genoese clubs alongside friends like Tenco and Bindi. His first album, "The Song of the Sun", was released in 1967 and marked the beginning of an extraordinary career. De André distinguished himself for his complex and refined poetics, often focused on social and political themes, but also on everyday life and human emotions. His songs are characterized by original melodies and innovative arrangements, ranging from folk to progressive rock. Among his most important albums are "The Fisherman", "Land of Persimmons", "I'm Not Afraid" and "Dead Souls". De André collaborated with numerous artists, including Paolo Conte, Francesco De Gregori and Carmen Consoli. His music has influenced generations of Italian singer-songwriters and continues to be appreciated for its depth and originality. Some of his most representative songs are: "The Song of the Sun", "The Fisherman", "Under the Sign of Mars", "Don Quixote".
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Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
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