I para aquellos qe no creen
En los misterios qe la vida nos trae
Son verdades qe estan escondidas
Encuentros de tiempo atras
El mito comenso en la historia de este amr
El mundo desconocia,iluciones y fantacias
Nadie sabia soñar,la imaginacion tambien no existia
Hasta que todo eso cambio
Cuando uno de los corazones paro
Viendo la fuerza de aquel amr
Qe el destino cruel separo
Fue aí qe Dios creo,para ver el mundo
En la esperanza qe ese amr iria a eternizarse
Todas las noches quienes se aman
A traves de los sueños se iran a encontrar
I el sueño asi nacio
Para quien le fue impedido amar
Una chance para dos corazones
Cumpliran la promesa de eternizarse
Gusttavo Lima, whose real name is Nivaldo Batista Lima, is a Brazilian sertaneja music singer born on September 3, 1989, in Presidente Olegário, Minas Gerais. He showed a passion for music from a young age, starting his professional singing career at the age of nine. His career has been marked by great success, becoming one of the most popular sertaneja singers in Brazil. ?? Gusttavo Lima is known for his traditional musical style, influenced by artists like Barrerito, Trio Parada Dura, Gino e Geno, Chitãozinho and Xororó. Some of his most representative songs include: *“Balada”, “A Gente É Assim”, “O Que Você Fez”* and *“Eu Só Quero Ser Feliz”*. His album *“Gusttavo Lima”* (2013) was a great success, consolidating his position in the Brazilian music scene. Gusttavo Lima continues to captivate audiences with his energetic performances and lyrics that tell stories of everyday life.
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
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