En el convento de las esclavas de Santa Rita
Andan las monjas dale que dale por la cocina
Con las sartenes y las perolas en los fogones
Y las tinajas llenas de tortas de chicharrones.
El torno rueda, rueda que rueda "Ave María"
Y la tornera: "Pues sin pecado fue concebida"
"¿Que quieres niño?" "¿Tiene usted dulce de calabaza?"
"Recién salidos, da gloria verlos como la escarcha".
A freír ya los pestiños
Hermanas, que es Navidad
Vamos a cantarle al Niño
Con cariño y humildad
ESTRIBILLO:
Alacena de las monjas
Que te dan gloria bendita
Pastelillos de toronja y dulce de leche frita
Se dice que fue la virgen que en sueños se apareció
A la madre superiora y esta receta le dio:
Medio kilo azúcar blanca
Agüita del avellano
Y al perol la calabaza
Tres Salves, y un Padrenuestro y la gracia de tus manos,
Tres Salves, y un Padrenuestro y la gracia de tus manos
En el convento de las esclavas
¡Jesús que pena!
Hay una monja con bulanicos en la cabeza
Que por ser mala la Virgen pura como castigo
Le ha retirado el don del almíbar a sus pastelillos
Los niños juegan en Plaza Nueva a la rueda-rueda
Igual que rueda la cabecita de la tornera
Que por un dulce de calabaza,
Dice la copla
Que por un dulce de calabaza
Se volvió loca.
Queda la hermana tornera
Vestida de Satanás
Y fue a robar la receta del dulce de Navidad.
Carlos Cano (1924-1987) was a Spanish singer and composer of copla, a traditional Iberian musical genre. Born in Madrid, Cano began his career in the 1940s, quickly becoming one of the most popular interpreters of copla. His warm and melodious voice, along with his melancholic and romantic compositions, captivated the Spanish public. Among his most famous songs are "El Relicario", "La Paloma del Amor" and "No Me Quieras". Cano collaborated with numerous successful Spanish artists and recorded several albums that became classics of copla. His music is still appreciated in Spain and worldwide, testifying to his lasting influence on Iberian musical culture.
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