Yo vi a la mujer de cabellos ondulados de sierpes
bajar corriendo por la ladera, hacia los llanos donde la fiesta silva.
Yo vi los brillos en el borde de las copas durante aquella noche, yo vi a los hombres; dura piel morena, en el temblor lejano del polvo de la pista.
Vi flotar herrumbre de rejones en un instante que clava y se gira a mirarte. Supe del metálico rugido de motores en su efímera carrera hacia el confín del horizonte.
Ardió mi memoria y el mundo, bosque en llamas; calcino despechos, traiciones, deslealtad. Mentí y me mentiste, y me sentí caleidoscópico insecto;
polvo y alas rotas en el temblor de una partícula de nada.
¿Por qué si no te pertenezco, pienso en tí?, ¿por qué si no habitamos multitudes me dejas solo?, ¿por qué si no te pertenezco, estás en mí?.
Vi barbados hombres cabalgar, monstruos de acero rodantes, anclar y resoplando morir por unas horas al desmayo del sueño.
Vi luces, puertas entreabiertas al cerrarse, escuché extraviadas risas; murmullos, jadeos y el anuncio de un día negro que nacía.
Te vi flotar, herrumbre de rejones en un instante, que pasa y te giraste a mirarme. Supe que tu quejido, carne insomne, de mi efímera carrera hacia el confín del horizonte.
Ardió mi memoria y el mundo, bosque en llamas; calcino despechos, traiciones, deslealtad. Mentí y me mentiste, y me sentí caleidoscópico insecto;
polvo y alas rotas en el temblor de una partícula de nada. Ardió mi memoria.
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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