Everyone loves ascending fourths
And everyone loves ascending fourths
Ooh, everyone loves ascending fourths
Everyone loves ascending fourths
Everyone loves
Paintings of orthodox monks on the wall
Impotent Mark put his pen to forehead
Waiting for proof of his unquestioned gift
3 open windows bring air to his cheeks
The rest of him smothered in 3 sweat drenched sheets
With commission spent and date drawing near
And no newborn zeal or written ideas
A receding hum, akin to pink noise
Escapes his cerebral hand that toys
Miserably clutching it never avails
Without resorting to kitschy entrails
To stand up tall and straight is to break one leg
Since last Third Quarter he has not got out of bed
Meanwhile, envoys follow the stars, and the arcs of the larks
Further north to collect the work promised to their employer noblemen
He tries in vain for one pure line
Under the weight of tired eyes
He slips into the warm, soft night
To drift carefree beyond imagined eyes
In dreams he finds a cure that for now will suffice
Everyone loves ascending fourths
Everyone loves ascending fourths
Oh oh
The paintings of orthodox monks on the wall
Watch Markus spill ink freely on his finest scores
65 repetitions of ascending fourths
As dawn breaks men arrive in droves, forcing the door
His work unfinished, they do not accept and throw him to the floor
He comes to in chains
Brought in front of judges
For testing good faith
To try, to risk, to fail
Unanimously condemned
His masterpiece schmaltz
Impure, no heart, no taste
But everyone loves
Everyone loves
Everyone loves
Everyone loves ascending fourths
Everyone loves ascending fourths
Everyone loves
Everyone loves ascending fourths
Markus ascends Forth in the heart of the common man
Everyone loves
Everyone loves ascending fourths
Everyone loves
Markus ascends Forth in the heart of the common man
Everyone loves ascending fourths
Black Midi is a British experimental rock band formed in London in 2017. Composed of Geordie Greep (vocals, guitar), Cameron Picton (guitar), Matt Kwasniewski-Transport (bass) and Morgan Simpson (drums), the quartet stands out for its complex and innovative sound that blends elements of post-punk, jazz, noise rock and classical music. Their albums, characterized by dark and surreal lyrics, have received widespread critical acclaim internationally. Among their most representative tracks are "John L", "Crow's Perch" and "Bmbmbm". Their self-titled debut album in 2019 was met with enthusiasm, solidifying their position as one of the most interesting bands on the contemporary music scene.
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