All you do is lie and lie and lie
All you do is try and try and try
You don't even know the kind of things
But you try to tell me all these things
Give me some time, I need peace
I'ma need space some days
And I'm just tryna do my thing
And I'm just tryna get my way
So you need someone to deceive
And you're trying to think that I'm the one for you
But don't you see? You're not everything
And I know you're not the one for me
Crazy tings are happening
Crazy tings are happening
If you need somebody's craze
You fit chop somebody's craze
Crazy tings are happening
Crazy tings are happening
If you need somebody's craze
You fit chop somebody's craze
Try, try, try
I try, try
I just wan' turn my back tonight, tonight
So I'll make it seem, make it seem
I just want to turn my back tonight
Ooh you know me well, well, well, well, well, well
And you try to tell, tell, tell, tell, tell, tell
Ooh you try to make me run insane
But you know that you know I'm not the same
I just think I can do better
Crazy tings are happening
Crazy tings are happening
If you need somebody craze
You fit chop somebody's craze
Crazy tings are happening
Crazy tings are happening
If you need somebody craze
You fit chop somebody's craze
The lyrics CRAZY TINGS of TEMS is also present in the album If orange was a place (2021)
Tems, pseudonimo di Temilade Openiyi, è una cantautrice e produttrice discografica nigeriana nata nel 1995. Conosciuta per il suo stile vocale unico e le sue melodie ipnotiche, ha guadagnato rapidamente popolarità a livello internazionale. Il suo genere musicale si colloca tra l'R and B contemporaneo, la musica afrobeat e il soul, con influenze che spaziano dal jazz al hip-hop. Tems ha collaborato con artisti di spicco come Wizkid, Drake e Brent Faiyaz, contribuendo a brani di successo come "Essence", "Free Mind" e "Higher". Il suo album di debutto, "For Broken Ears", pubblicato nel 2020, è stato accolto con grande entusiasmo dalla critica. Tems è considerata una delle artiste più promettenti del panorama musicale africano contemporaneo.
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