You're not made
For this, dear boy
You're not made
For this, dear boy
We watch the stock drop
They say we're just snide, octane
I want to exchange
Hits for a testament
And this will be
My sacrifice
Up in the clouds
pick up the tab
Put me down
Now gently, just drop me
Cause this not a gallery
She takes me seriously
What a joke, she would know
If she wasn't too scared
To pick up the phone and go
You're not made
For this, dear boyYou're not made
For this, dear boy
The crime fits
The punishment
And an ice cold sal
Stabbing demons at dusk
She says well
Whom do you trust?
I don't trust anyone
Who do you trust
I don't trust nobody
Not even her?
No, not even me
Boy please, you're not
Think you lie before decieving
All the people that believe in me
Somewhere Arthur Lee is bleeding
Somewhere Arthur Lee is bleeding
If I came to learn one thing from this
It's that people from Long Island
Aren'at as old as they seem
They're older then they seem to be
I turn my back to the mirror
All you see is my back
It's leaving you somewhere
Lethal to make a red dot
Let's see what you got
Ready or not, here goes
The crime fits the punishment
You're not made
For this, dear boy
You're not made
For this, dear boy
You're not made
For this, dear boy
You're not made
For this, dear boy
You're not made
For this, dear boy
You're not made
For this, dear boy
The lyrics DEAR BOY of THE FORMAT is also present in the album Snails (2005)
The Format è stato un gruppo indie rock formato dai nativi dell'Arizona Nate Ruess e Sam Means. La band ha annunciato una pausa il 4 febbraio 2008. Il loro stile può essere considerato una miscela di musica indie, alternativa, punk e folk, con elementi della musica pop degli anni '60 e '70. Sebbene Means e Ruess siano i membri principali del gruppo, hanno suonato e registrato con Mike Schey, Mark Buzard, Don Raymond e, per la registrazione del DVD e il tour estivo 2007, Adam Boyd, batterista attuale di The Honorary Title e ex membro di The Format. The Format ha scelto il proprio nome per prendersi gioco della tendenza dell'industria musicale verso un "formato" preconfezionato per un successo.
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