El ms capullo de mi clase (que elemento!)
lleg hasta el Parlamento
y, a sus cuarenta y tantos aos,
un escao
decora con su terno
azul de diputado del gobierno.
Da fe de que ha triunfado
su tripa, que ha engordado
desde el da
que un ujier le llam su seora
y cambi a su mujer por una arpa
de pechos operados.
Y sin dejar de ser el mismo bruto
aquel que no saba
ni dibujar la o con un canuto.
El superclase de mi clase (que pardillo!)
se pudre en el banquillo
y, a sus cuarenta y cinco abriles,
matarile,
y a la cola del paro
por no haber pasado por el aro.
Vencido, calvo y tieso
se qued en los huesos
aquel da
que pill a su mujer en plena orga
con el miembro del miembro (que irona!)
ms tonto del Congreso.
Y sin dejar de ser el mismo sabio
que, para hacer poesa,
slo tena que mover lo labios.
Y yo que no soy ms
listo ni tonto que cualquiera,
a mis cuarenta y pocos
tacos,
ya ves t,
igual
sigo de flaco,
igual de calavera,
igual que antes de loco
por cantar,
por cantar el blues
de lo que pasa en mi escalera.
La ms maciza de mi clase (que cintura!)
cotiza la hermosura
y, a sus cuarenta y pico otoos,
hasta el moo
del genio del marido,
huy con otro menos aburrido.
Tanto ha prosperado que un Jaguar ha estrenado
el mismo da
en que la divorci de la utopa
un taln con seis ceros que le haba
firmado un diputado.
Y sin dejar de ser la seductora
bruja que esconda
bajo la falda una calculadora.
Y yo pobre mortal,
que no he gozado sus caderas,
a mis cuarenta y pocos
tacos,
ya ves t,
igual
sigo de flaco,
igual de calavera,
igual que antes de loco
por cantar,
por cantar el blues
de lo que pasa en mi escalera.
Por lo dems ni ms
ni menos larga que cualquiera
a mis cuarenta y pocos
tacos,
ya ves t,
igual
sigo de flaco,
igual de calavera,
igual que antes de loco
por cantar,
por cantar el blues
de lo que pasa en mi escalera,
por cantar el twist
de las verdades verdaderas.
Por cantar... el bolero que canta mi portera.
Por cantar... una rumba gitana y canastera.
Por cantar... aquel tango el da que me quieras.
Por cantar... loco por incordiar a los horteras.
Por bailar... bajo la lluvia sobre las aceras.
Por cantar... vallenatos que amansen a las fieras.
Por cantar... hasta que salga el sol por Antequera.
Por cantar... con mi primo Rosendo a su manera
de vivir..... siempre con gente, siempre solateras.
Por cantar... el rock and roll de las gasolineras.
Por cantar... un merengue pegado a una palmera.
Por cantar... camino de la Habana una habanera.
Por cantar... un mambo con smoking y chistera.
Por tocar.... esa guitarra carabanchelera.
Por cantar... hoy en Pekn, maana en Talavera.
Por cantar... el bugui-bugui de las carreteras.
Por cantar... all en el rancho grande una ranchera.
Por cantar... como si el almanaque no existiera.
Por seguir... dando el cante hasta el da que me muera.
Por cantar... un calipso contra la ley Corcuera.
Por cantar... si pones otra ronda, tabernera.
Por cantar... en la calle, en el curro, en la baera.
Por cantar... menos un bakalao lo que quieras.
Por silbar... al paso de una guapa peluquera.
etctera
Joaquín Sabina (born Joaquín Ramón Martínez Sabina on July 15, 1949 in Úbeda, Spain) is one of the most influential and beloved singer-songwriters in Latin music. Known for his incisive poetry, catchy melodies, and raspy voice, Sabina has captivated a vast audience throughout Latin America and the Spanish-speaking world. His musical journey began in the 1960s with experiences in rock bands and Spanish singer-songwriters. In 1975, he released his debut album, "Inventario", which introduced him to the Spanish public. Over the following years, Sabina solidified his fame with albums such as "Malas compañías" (1982), "19 días y 500 noches" (1984) and "El viaje" (1989). His songs often address social, political, and personal themes, always with a touch of irony and sarcasm. Sabina is known for his collaborations with other artists such as Joan Manuel Serrat, Fito Páez, and Miguel Ríos. Some of his most famous songs include "Y nos dieron las diez", "La Mandrágora", "Contigo" and "Pajarita de papel". Besides music, Sabina is also a talented poet with several collections of verses published.
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