Woah-ah-ah
Woah-ah-ah
Woah-ah-ah, ah
Woah-oah
La-la-la, la, la, la
Woah, la (Oh)
Ah, ah, ah (Woah, la, la, la)
Baby, cook some'
Took the 95 to the 110
Headed your way, through the pape' and drape
Through the yellow tape, blew the motor, got the Toyota on the tow way
Took it to José, it took him four days
He said, "It's the transmission," I said, "No way," uh
Them the days we couldn't buy no gourmet
Forget the bad things that happened with the foreplay
So when we walkin' in any venue, it's a light show
Catch a dinner and a movie, wear your nice clothes
I throw the burner phone away, I go ice cold
Can't lose my main bitch fuckin' with my side ho?s
I know she mad when the t?xt is full of typos
She ask me 'bout this chick Alexis, she like 5'4", uh
She don't care about me, she entitled
I'm fuckin' her and I fucked the bitch she idol
I'm inspired by the women with no rivals
I'm inspired by the women that wanna be politicians
Inspired by the women that leisure is "go and get it"
The independent women that never need men to listen
I caught my mama cryin' 'bout dude, I couldn't get it
And since then, I hated every boyfriend she been with
Oh
La, la
Woah
Baby Keem, real name Hykeem Jamaal Carter Jr., is an American rapper, singer, and record producer born in 1995 in Los Angeles, California. Son of music producer Steven "Keem" Carter, he began his musical career at the age of 16 by releasing independent mixtapes. In 2018, he signed with the American collective Top Dawg Entertainment (TDE), a label that launched him into the mainstream music scene. His musical style is characterized by an aggressive flow, introspective lyrics, and innovative productions that blend elements of classic hip hop, trap, and electronic music. Among his most notable tracks are "Orange Soda", "Family Ties" (feat. Kendrick Lamar) and "Vent", the latter included in his debut album "The Melodic Blue" released in 2021, which received widespread critical acclaim and reached number five on the Billboard 200 chart. Baby Keem is considered one of the most promising emerging rappers in the contemporary music scene.
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