I didn't sleep a wink all night long
Waitin' by my telephone
You said you'd call me 'bout a quarter to ten
But you went and stood me up again
I don't know what you're gonna do, but
I'm gonna forget about you, yeah
I'm gonna take your picture off my wall
And then I'm goin' out and have a ball
Too many fishes in the deep blue sea
For me to let you make a fool of me
I don't know what you're gonna do, but
I'm gonna forget about you
Please don't tell me that you're sorry
Don't give me the same old line
I know for a fact if I took you back
You'd make me lose my mind, baby
And if I lost it, it would be my fault
So I think it's time we called a halt
I've had as much of you as I can stand
Instead of me mistreat some other man
I don't know what you're gonna do, but
I'm gonna forget about you
Baby, I'm gonna take your picture off my wall
Then I'm goin' out and have a ball
Too many fishes in the deep blue sea
For me to let you make a fool of me
I don't know what you're gonna do, but
I'm gonna forget about you
Yeah, forget about you baby
I'm gonna forget about you
I'm gonna forget about you, baby
I'm gonna forget about you
Sam Cooke (1931-1964) was a legendary American singer, songwriter, and record producer, considered one of the pioneers of soul music. Born in Clarksdale, Mississippi, Cooke began his musical career singing gospel in his local church. In 1957, he signed with Saratoga Records, releasing hits like "You Send Me" which made him a pop star. Cooke then founded his own record label, The Soul Stirrers, continuing to record highly successful gospel songs. Throughout the 1960s, Cooke established himself as one of the greatest soul artists with albums like "Ain't That Good News" and "Live at the Harlem Square Club", characterized by captivating melodies and deeply emotional lyrics. His rich and powerful vocal style, his musical sensitivity, and his songs that addressed social issues such as racial equality made him a cultural icon of great significance. Cooke was assassinated in 1964 at the age of 33, leaving an unfillable void in American music.
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