Jesus died for somebody's sins
But not mine
Milner, part of thieves
Wall chord in my sleeve
Thick are the stoon
My sins ? my own
They belong to me
Me
People say beware
But I don't care
The words are just rules and regulations to me
Me
Hi hi, I walk in the room
You know I look so proud
I'm moving this here as my fear I'm aware
Anything's allowed
And I'll go to this here party
And I just get bored
When did I look out the window
See this weird young boy
Humpin on the balcony, leanin on the balcony
But you look so good
Hush, you look so fine
When I got this crazy feeling
And then I'm gonna ah ah, make er mine
I put my step in her
Here she comes
Walking down the street
Here she comes
Coming through my door
Here she comes
Coming up my stair
Here she comes
Runs into the hall
Can you feel it, Jocelyn?
Oh she looks so good
Oh she looks so fine
When I got this crazy feeling
And then I'm gonna ah ah, make er mine
And then I hear this knockin in my door
Hear this knockin in my door
And I look up to the big tower clock
And say: oh my God, it's midnight
And my baby is walking through the door
Laying on my couch, she whispers to me
And I take a big plunge and well she was so good
Oh she was so fine
And I'm gonna tell the world that I just
Ah ah made er mine
And I said darling: tell me your name
She told me her name
She whispered to me, she told me her name
And her name is, and her name is
And her name is, and her name is
G L O I ay ay ay ay ay ay
G L O R I A
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria
Who's at the stadium?
With twenty thousand girls
Call their name out to me
Marie, Hooth, but to tell you it's sure
I didn't hear them, I didn't see
I let my eyes rise to the big tower clock
And I let those bells drowning in my heart
Going ding dong, ding dong
Ding dong, ding dong
Ding dong, ding dong
Look at the time
Will you get in my room?
When you whispered to me
We took the big plunge and
Oh you were so good
Oh you were so fine
And then I had to tell the world
That I'll make her mine, make her mine
Make her mine, make her mine
Make her mine, make her mine
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria
Tower bells try
Giving time a chance
I'm singing Jesus died for somebody's sins
But not mine
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
Gloria (G L O R I A)
John Cale is a Welsh musician and composer born in 1942. After studying music in London and New York, he joined The Velvet Underground in 1965, significantly contributing to their experimental and distinctive sound in the first two albums. Cale introduced the droning viola sound, a characteristic element of songs like "Venus In Furs". After the album *White Light/White Heat*, he left the band due to musical differences with Lou Reed. Cale desired to continue exploring experimental sounds, while Reed gravitated towards simpler pop songs. Cale embarked on a successful solo career, releasing albums such as *Vintage Violence* (1970) and *Paris 1919* (1973), influencing genres like experimental rock, ambient, and electronic music. Among his most representative tracks are "Gideon", "The Endless Plain of Glass" and "Hallelujah".
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