Tous les c?urs se rallient à sa blanche cornette,
Si le chrétien succombe à son charme insidieux,
Le païen le plus sûr, l'athé' le plus honnête
Se laisseraient aller parfois à croire en Dieu.
Et les enfants de ch?ur font tinter leur sonnette...
Il paraît que, dessous sa cornette fatale
Qu'elle arbore à la messe avec tant de rigueur,
Cette petite s?ur cache, c'est un scandale!
Une queu' de cheval et des accroche-c?urs.
Et les enfants de ch?ur s'agitent dans les stalles...
Il paraît que, dessous son gros habit de bure,
Elle porte coquettement des bas de soi',
Festons, frivolités, fanfreluches, guipures,
Enfin tout ce qu'il faut pour que le diable y soit.
Et les enfants de ch?ur ont des pensées impures...
Il paraît que le soir, en voici bien d'une autre!
A l'heure où ses cons?urs sont sagement couché's
Ou débitent pieusement des patenôtres,
Elle se déshabille devant sa psyché.
Et les enfants de ch?ur ont la fièvre, les pauvres...
Il paraît qu'à loisir elle se mire nue,
De face, de profil, et même, hélas! de dos,
Après avoir, sans gêne, accroché sa tenue
Aux branches de la croix comme au portemanteau.
Chez les enfants de ch?ur le malin s'insinue...
Il paraît que, levant au ciel un ?il complice,
Ell' dit : "Bravo, Seigneur, c'est du joli travail! "
Puis qu'elle ajoute avec encor plus de malice :
"La cambrure des reins, ça, c'est une trouvaille! "
Et les enfants de ch?ur souffrent un vrai supplice...
Il paraît qu'à minuit, bonne mère, c'est pire :
On entend se mêler, dans d'étranges accords,
La voix énamouré' des anges qui soupirent
Et celle de la s?ur criant " Encor! Encor! "
Et les enfants de ch?ur, les malheureux, transpirent...
Et monsieur le curé, que ces bruits turlupinent,
Se dit avec raison que le brave Jésus
Avec sa tête, hélas! déjà chargé' d'épines,
N'a certes pas besoin d'autre chose dessus.
Et les enfants de ch?ur, branlant du chef, opinent...
Tout ça, c'est des faux bruits, des ragots, des sornettes,
De basses calomni's par Satan répandu's.
Pas plus d'accroche-c?urs sous la blanche cornette
Que de queu' de cheval, mais un crâne tondu.
Et les enfants de ch?ur en font, une binette...
Pas de troubles penchants dans ce c?ur rigoriste,
Sous cet austère habit pas de rubans suspects.
On ne verra jamais la corne au front du Christ,
Le veinard sur sa croix peut s'endormir en paix,
Et les enfants de ch?ur se masturber, tout tristes...
Georges Brassens (1921-1981) was a French singer-songwriter of international fame, considered one of the greatest poets and musicians of the 20th century. Born in Vaucluse, France, Brassens began his musical career in the 1950s, captivating audiences with his ironic, melancholic, and deeply human songs. His works, often characterized by simple yet effective language, addressed social, political, and personal themes with a unique sensitivity. Brassens distinguished himself for his deep and raspy voice, accompanied by a keen ability to interpret. Among his most famous songs are "Le Mistral", "La Nonne", "Brave Margot" and "Je chante le blues". His music has influenced generations of artists and continues to be appreciated worldwide for its authenticity, depth, and beauty.
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!
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