Consciencieusement il se gare devant le poste de police
Au volant d'une superbe Hotchkiss recarrossée en Packard
Impulsivement j'enclenche la touche queue en avance accélérée
Et me repasse toute la séquence ou on la voit du rétro
Affalée sur le trottoir, dans son fourreau léopard
Qui se dévisse trois quart dos pour lancer au héros de service
Au grand maux au grand maux les grands remèdes pour les grands sentiments
Au moment où elle lui jette sa godasse, ma vidéo tombe en plan
Oh quel man quel man quel manque de classe !
Quel man quel man quel manque de classe !
Oh stop! Eject! Rewind! Play!
Le savant dosage de ses postures qui l'excite à la limite de l'érection
Tend à lui faire perdre la mesure en même temps que la raison
Outrageusement lascive elle esquive tout attouchement
Tout en explorant d'une main sure la doublure de son veston
Aux grands maux aux grands maux les grands remèdes pour les pressentiments
Dit-il en lui collant sur les vertèbres la lame effilé d'un cran
Oh ! quel man quel man quel manque de classe !
Quel man quel man quel manque de classe !
Stop ! Rewind ! Eject ! Play
Prise en flagrant délit d'imposture de l'échancrure elle lui capture la possession
D'un commando de petites coupures planqué sous ses bas nylons
D'un coup de talons aiguilles la fille lui cloue la victiv au raz des roustons
Puis s'évapore comme une anguille hors de son champ de vision
Scandaleusement novice d'un mouvement de hanche elle se glisse
Entre les deux malabars de service qui font le tri à l'entrée
De cette boîte privée
Et comme il ramène sa fraise, un p'tit connard un balaise
Pour éviter le malaise l'envoie rouler son mégot dans le caniveau
Bébé à l'aise !
Et pourtant tu savais qu'elle n'était qu'une garce
Dit-elle tout bas dodelinant de la tête
Manque de classe dit-il tout bas dodelinant de la tête
Manque de classe dit-elle tout bas dodelinant de la tête
Manque de classe dit-il tout bas
Classe ! Bar ! Blanc de la tête !
Classe ! Bar ! Blanc de la tête !
Classe ! Bar ! Blanc de la tête !
Jacques Victor Joseph Higelin, known simply as Jacques Higelin (Paris, 1940 – Paris, 2018), was a French singer-songwriter, musician, and actor. Considered one of the most influential songwriters in France, Higelin went through several musical phases, from psychedelic rock of the 1960s to folk-rock of the 1970s, up to electronic music of the 1980s. His music is characterized by poetic and ironic lyrics, often focused on everyday life, love, and French society. Higelin collaborated with numerous artists, including Alain Souchon, Jean-Jacques Goldman, and Francis Cabrel. Among his most famous songs are "Bob Marley", "La Vie en rose" and "Le Temps des cerises". Throughout his career, Higelin released over 20 albums, some of which have become classics of the French music scene.
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