Staring out from the library window
The pictures of girlfriend's taped to the windshields of the cars
That sit in the back lot
There's nothing you can do no matter how hard she tries
It won't take long for her new friends to realize what a bitch
That you are
Staring out from the library window
The roar of the engines
Feeding the eagles of the perched up top on the cars
How could she notice
Not that I'm standing where I'm sorry
If I've been demanding a lot
From you lately
Stop before I get to far
Stop before I start the car
Running to the bar with all your cash
Think about all your friends
And anyone they haven't left you yet
They will
It won't take long
But that's just how it is
Why'd you lie to me
You always lie to me
You had to lie to me
So why'd you lie to
You always lie to me
The bitch you lost to me
You always lie to me
You had to lie to
To Me
Because you are just a slug infected
With all the things
That I injected into your your veins
When you're asleep
Staring out on the ledge of the window
The roar of the crowd has gathered below to collect
My bruised and battered self
Why did you choose movie stars
Caviar and fancy cars
Taking aside in the parade
Just think about all the ones
That ever even helped you out
Well they're gone
But that's alright
Because you just wanted out
Why'd you lie to me
You always lie to me
You had to lit to me
The bitch she lies to me
You always lied to me
You had to lie to
You had to lie to
You had to lie to
To me
Commander Venus è stata una band emo americana proveniente da Omaha, Nebraska. Il gruppo era composto da Conor Oberst e Tim Kasher alla voce, Todd Fink e Matt Bowen dei The Faint, Ben Armstrong di Head of Femur e Robb Nansel, produttore esecutivo dell'etichetta indipendente Saddle Creek. Kasher ha successivamente guidato la band Cursive, mentre Oberst è diventato famoso come membro principale del collettivo folk indie Bright Eyes e in seguito della punk band Desaparecidos. Commander Venus ha pubblicato un album di debutto omonimo nel 1998, caratterizzato da sonorità emotive e melodie orecchiabili. Tra i brani più rappresentativi si ricordano 'The Ballad of the Broken Heart', 'A Thousand Years' e 'I Don't Know What to Say'.
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