"Este ádios no maquilla un hasta luego,
este nunca no esconde un ojalá,
esta ceniza no juega con fuego, este ciego no mira para atrás;
este notario firma lo que escribo, esta letra no la protestaré;
ahorrate el 'acuse' del recibo, estas vísperas son las de después.
A este ruido tan huérfano de padre
no le voy a permitirle que taladre
a un corazón podrido de latir,
este pez ya no muere por tu boca,
este loco se va con otra loca,
estos ojos no lloran más por tí."
Esta sala de espera sin esperanza,
Estas pilas de un timbre que se secó,
Este helado de fresa de la venganza,
Esta empresa de mudanza,
Con los muebles del amor.
Esta campana muda en el campanario,
Esta mitad partida por la mitad,
Estos besos de Judas, este calvario,
Este look de presidiario,
Esta cura de humildad.
Este cambio de acera de tus caderas,
Estas ganas de nada menos de ti
Este arrabal sin grillos en primavera,
Ni espaldas con cremalleras,
Ni anillos de presumir.
Esta casita de muñecas de alterne,
Este racimo de pétalos de sal,
Este huracán sin ojos que lo gobierne,
Este jueves, este viernes,
Y el miércoles que vendrá.
No abuses de mi inspiración,
No acuses a mi corazón
Tan maltrecho y ajado
Que está cerrado por derribo.
Por las arrugas de mi voz
Se filtra la desolación
De saber que estos son
Los últimos versos que te escribo,
Para decir “condios” a los dos
Nos sobran los motivos.
Este museo de arcángeles disecados
Este perro andaluz sin domesticar
Este trono de príncipe destronado
Esta espina de pescado
Esta ruina de Don Juan.
Esta lágrima de hombre de las cavernas,
Esta horma del zapato de Barba Azúl,
Qué poco rato dura la vida eterna
Por el túnel de tus piernas,
Entre Córdoba y Maipú.
Esta guitarra cínica y dolorida
Con su terco knock knocking´on heaven´s door,
Estos labios que saben a despedida
A vinagre en las heridas
A pañuelo de estación
Este ladrón aparcado en tu toga
La rueca de Penélope en Luna Park
Estos celos que sueñan que te desnudan
Esta caracola viuda
Sin la pianola del mar
No abuses de mi inspiración,
No acuses a mi corazón
Tan maltrecho y ajado
Que está cerrado por derribo.
Por las arrugas de mi voz
Se filtra la desolación
De saber que estos son
Los últimos versos que te escribo,
Para decir “condios” a los dos
Nos sobran los motivos.
Joaquín Sabina (born Joaquín Ramón Martínez Sabina on July 15, 1949 in Úbeda, Spain) is one of the most influential and beloved singer-songwriters in Latin music. Known for his incisive poetry, catchy melodies, and raspy voice, Sabina has captivated a vast audience throughout Latin America and the Spanish-speaking world. His musical journey began in the 1960s with experiences in rock bands and Spanish singer-songwriters. In 1975, he released his debut album, "Inventario", which introduced him to the Spanish public. Over the following years, Sabina solidified his fame with albums such as "Malas compañías" (1982), "19 días y 500 noches" (1984) and "El viaje" (1989). His songs often address social, political, and personal themes, always with a touch of irony and sarcasm. Sabina is known for his collaborations with other artists such as Joan Manuel Serrat, Fito Páez, and Miguel Ríos. Some of his most famous songs include "Y nos dieron las diez", "La Mandrágora", "Contigo" and "Pajarita de papel". Besides music, Sabina is also a talented poet with several collections of verses published.
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