Yes, I saw the world's end burned by them who want us to repent
Fear in my pain will rise again, insane
The end in flame is what we need!
Then I saw my brides smile
Blinded by lies their sanity dies
The feeble to deride
Deny the evil in disguise
I saw myself buried deep in the nameless grave,
But who will weep?
I saw all the stars fall then all the hopes they will reap
I saw the innocent in anger,
They were so sinless, hung so high
Then I saw the angelsin black
They were so sinful with a dirty smile
Live for lies!
Fight for lies!
Die for lies!
Change the fate, before its to lato late
We'll see the worlds end (You will!)
I open my eyes to see through their lies,
But you know it's the world's demise!
I saw all the flowers wither and all the winners die in pain,
Crippled by those men insane
I saw the gold turn to dust,
All my lust lost in flame,
But hailed by our violent shame!
I saw the skies turn blood red as the forgotten prophet once said
I saw the funeral for all those precious things that had been slowly cursed
Then I saw the world in flame,
No way to save it when I saw it
We all must burn!
We want the end!
Born in shame then purified in flame
Buried in a grave with no name,
Be lost in the void!
Salvation in flame, deception in shame
All the things I touched must burn
Deviation to be tamed
All the thing I touched must be cursed
Sigh is a Japanese avant-garde metal/black metal band active since 1990. Founded by Mirai Kawashima, the band is considered one of the most influential in the Japanese extreme metal scene. Their sound is characterized by the use of classical, jazz and progressive rock elements, mixed with black metal and death metal sonorities. Sigh has released numerous studio albums, including "Scorn Defeat" (1997), "Imaginary Sonicscape" (2003) and "Graveward" (2015). Among their most representative tracks are "Shiki no Uta", "The End of the World" and "A Song for the Dead". The band has collaborated with artists like Merzbow and Boris, contributing to define the identity of Japanese underground metal.
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