I drink and watch the zoo in motion
Beautiful people devoid of emotion
Sterilised, pedicured, pedigrees and mankind
Thick as fuck and soulless
And no longer fear genocide
It’s gonna end from what I reckon
As I puke my guts up all over the decking
Cos the square reeks of plastic action man
And Poundshop Kardashians
How am I supposed to change it?
If I can’t see the wood for the trees?
How am I supposed to change it?
If I can’t see the wood for the trees?
There’s an orange faced baby at the wheel of the ship
Doing donuts in the carpark
We watch as it all falls apart
We idolise idiots
Masturbate to their sex tapes
We love them we hate them
We want to see them fall from GraceWe laugh at them disheveled
On the front page of the mail
Then grab ourselves a pitchfork and go in for the kill
Together light vigils
Eulogise them on the Internet when they top themselves
When they couldn’t take it no more
How am I supposed to change it?
If I can’t see the wood for the trees?
How am I supposed to change it?
If I can’t see the wood for the trees?
And how are we supposed to change it?
When we can’t see the wood for the trees
When we can’t see the wood for the trees
If we can’t see the wood for the trees
Sam Fender is a British singer-songwriter born in North Shields, Tyne and Wear, on April 24, 1994. Fender began his musical career performing in pubs in the north of England before signing with Polydor Records in 2017. His debut album, *Hypersonic Missiles*, was released in 2019 and reached number 3 on the UK Albums Chart. The album received widespread critical acclaim for its introspective lyrics and Fender's powerful performances. Fender is known for his realistic songwriting that tackles social issues such as unemployment, alienation, and politics. His concerts are characterized by infectious energy and a strong connection with the audience. Some of his most representative songs include "Hypersonic Missiles", "Seventeen Going Under" and "Will We Talk?" . In 2021 he released his second album, *Seventeen Going Under*, which topped the UK charts.
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