Father John and his keep
Preachin' to the women on the easy street for free
Roll over again
(give me drum)
Through the years
Plyin' his trade
Lookin' for heaven on a silver plate
Roll over again
If only he knew it didn't have to be that way
Ohh, the promised land
is just another slice of the cake
(chorus)
Round and round,
It's always round and round we go
(round and round we go)
Yeah, where it leads us
Nobody knows
(nobody) No, no,
Dance and dance
Why must we dance our lives away
(dance our lives away)
How much it bleeds us
No-one can say
(say say say say)
Jezebel made her way,
Sliding around on dirty sheets all day
So roll over again
(1,2, 3, 4)
She lived for years
With the fear
That real true love might never come her way
Roll over again
If only she knew it didn't have to be that way
Yeah, if true romance
was just another slice of the cake
(REPEAT CHORUS)
You and me,
Chasing dreams
We can't see the forest for the trees
We roll over again
(yeah)
You and me
Dance so well
Just like John and Jezebel
We roll over again
(whoa-oh-oh-oh, let's dance!)
(REPEAT CHORUS)
No one can say
Tom Bailey (vocals, guitar, synthesizer) Alannah Currie (marimba, xylophone, percussion, background vocals) and Joe Leeway (synthesizer, congas, background vocals) together known as Thompson Twins were an 80's synthpop group. TT where made famous when their first hit single "In the Name of Love" reached the top of the US dance charts and stayed there for five weeks. They found superstardom with the release of their fourth studio album Into the Gap (1984) which spun four hit singles "Hold Me Now", "Doctor! Doctor!", "Sister of Mercy" and "You Take Me Up". Their final album as a trio Here's to Future Days was released in 1985 amidst a nervous break-down for Bailey, forcing the band to cancel tour dates in the UK. Here's to Future Days spawned the hits "Lay Your Hands On Me" and "King For A Day" but was considerably less successful than Into the Gap and signaled the end of Thompson Twins' commercial success.
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