Un reloj de sol en el iris de esos ojos tuyos
Cuando no somos ,no siendo nada ,juntos siendo el todo
Cuando remendamos el papel pintado sobre los paneles se ilumina la casa
Se ilumina la casa
Si nos damos el festín, Si nos damos el festín de rasgarnos la niebla de las almas
Si nos damos el festín de rasgarnos la niebla de las almas
Y no te vayas más mi amor por que si desapareces brota en mi un clamor
Igual que un desembarco fracasado
Todo se arma y se desarma cuando menos se espera
Bis
Besame lento, despacito amor y asi llegara la primavera
La primavera, en los lunares de tus zapatos
En un resol de arena, en tu sonrisa de aquel retrato
En un resol de arena, cuando te abrazo
Si nos damos el festín, Si nos damos el festín de rasgarnos la niebla de las almas
Si nos damos el festín, de rasgarnos la niebla de las almas
Y no te vaya ruiseñor porque si desapareces nace en mi un fragor
De seráfico relámpago lejano
Todo se arma y se desarma cuando menos se espera
Bis
Besame suave ,lentamente amor y asi tu seras mi primavera
Manolo García (full name Manuel García Garcia-Pérez) is a Spanish singer-songwriter and painter born in Poblenou, Barcelona, on August 19, 1955. He began his musical career playing with rock bands such as Los Rapidos, Los Burros, and El Último de la Fila. His vocal style is a blend of pop rock, flamenco, and Arabic music. With El Último de la Fila, he achieved success in the 1990s, becoming a prominent figure in Spanish rock. He later embarked on a successful solo career, further solidifying his fame with albums such as «El último de la fila» (1993) and «Manolo García» (1996). His songs are characterized by poetic lyrics that explore themes of love, life, and loss. Among his most notable tracks are «Como un burro amarrado en la puerta de un baile», «Nunca el tiempo es perdido», and «Rosa de Alejandria». Manolo García is considered one of the most influential Spanish artists in the contemporary music scene.
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