This is the story, the story of blood
It starts in the heart
It moves all around, wakes you in the morning
And brings you down
You see it coming, the thickness and the color
Sliding across the floor ([?])
It moves all around, wakes you in the morning
And brings you down
And brings you down
Swing your soul (Swing your soul)
Swing your soul (Swing your soul)
Swing your soul (Swing your soul)
Swing your soul (Swing your soul)
Light
Into the light
It's the color of midnight where we lie
Sinking in the sand
Watching the rain come pouring down
On the other side of life
Swing your soul (Swing your soul)
Swing your soul (Swing your soul)
Swing your soul (Swing your soul)
Swing your soul (Swing your soul)
It moves all around
It moves all around, brings you down
It moves all around, wakes you in the morning
This is the story, the story of blood
I'm standing here waiting, waiting in the morning
Sleepy and hoping for the tide to turn
Sleepy and hoping for the tide to turn
I'm going back to get th?m, my friends in the morning
Bring them with m? into the light (Into the light)
Bring them with me into the light
Bring them with me into the light
Bring them with me into the light (Bring me into the light)
Swing your soul, swing your soul
Swing your soul, swing your soul
Swing your soul, swing your soul
Watching the rain come pouring down
Swing your soul
The thickness and the color
Sliding across the floor
Swing your soul
John Cale is a Welsh musician and composer born in 1942. After studying music in London and New York, he joined The Velvet Underground in 1965, significantly contributing to their experimental and distinctive sound in the first two albums. Cale introduced the droning viola sound, a characteristic element of songs like "Venus In Furs". After the album *White Light/White Heat*, he left the band due to musical differences with Lou Reed. Cale desired to continue exploring experimental sounds, while Reed gravitated towards simpler pop songs. Cale embarked on a successful solo career, releasing albums such as *Vintage Violence* (1970) and *Paris 1919* (1973), influencing genres like experimental rock, ambient, and electronic music. Among his most representative tracks are "Gideon", "The Endless Plain of Glass" and "Hallelujah".
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