For so long have my teeth held my tongue from a venomous voice
But the poison has passed from my lips to my hands
An incendiary ploy
(Hell will open up it's flue)
I bare my soul through the flames before me
(And you will witness what the fire can undo)
Far from the ash I will be born again
Where every debt is repaid
Nothing left to keep me out of paradise
As portraits of the past fade away
The id dots the eyes of antiquity
While the ego, of late, has held sway
Too foolish to stray past the line too weary to stay, too weary to stay
Far too long have I waited to witness the balances bend
In the favor of wrongs being remedied
Wickedness coming to an end
Far from the ash I will be born again
Where every debt is repaid
Nothing left to keep me out of paradise
As portraits of the past fade away
Far beyond the act I will be whole again
A phoenix out of the flame
I'm burying that menace in my memory
A funeral held in my name
The ritual pyre's sending smoke to the sky
As the building continues to burn
The wrath in the ruin, the pain in the grave
As the lies are retired to the urn
But we can't keep the embers from catching
The truth from destroying us all
Do I die as the martyr or miscreant?
I'll make the call, I'll make the call
Far from the ash I will be born again
Where every debt is repaid
Nothing left to keep me out of paradise
As portraits of the past fade away
Far beyond the act I will be whole again
A phoenix out of the flame
I'm burying that menace in my memory
A funeral held in my name
The Dear Hunter is a full-time musical project of Casey Crescenzo, former member of the post-hardcore band The Receiving End of Sirens. The band's sound is not unlike that of Casey's former band, but with more alternative and progressive rock tendencies and a wider variety of instrumentation. Crescenzo has defined the project as a "continuously evolving concept album", with each album representing a chapter in an overarching narrative story. The Dear Hunter's music is characterized by catchy melodies, poetic lyrics and intricate arrangements, spanning from progressive rock to folk, passing through electronic and classical elements. Among the most representative tracks are "The Color of the End", "Act IV: The Sun and the Moon" and "The World's a Beautiful Place". Crescenzo has collaborated with numerous artists throughout his career, including members of bands like The Used and Saosin.
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