Drenching blood will stain the world's symbols of victory
As you destroy we create!
The glorious banners break the lines of enemies again
Today the icons of destruction fall!
Shall all the armies burn the way
Win is the word
Victorious spirit will lead us in this this war against you
You will taste our shining blade that's falling
To wash the sins of abuse
Your intimation will become a dreadful terrible despair
The deadly order is declared!
Slave to the death
For another blind genocide that won't purify
Desolation of human race
Stand in front of your disgrace you fear our threaten
(You) can not implore to be saved
Slurring in sorrow grinding all who rise against
We march now toward the dead
Semper avarus eget et hostis humani generis est
Impunitas semper ad deteriora invitat
Parcere subiectis (et) debellare superbos
Ab uno disce omnis
Fiat iustitia et mundus pereat
Scorching blood of guilt is running through your rotten veins
As we dictate you'll obey!
A yell of falsity it's a prayer that will not be heard
Beware, a rain of fire burns!
Slave to the death
For another
Blind genocide that won't purify
Desolation of human race
Misconceived nature will never lie
The delirium of human race
The lyrics THE IMPOSITION of FLESHGOD APOCALYPSE is also present in the album Agony (2011)
Fleshgod Apocalypse è un gruppo musicale italiano di death metal symphonic, attivo dal 2009. Originari di Pescara, la band si distingue per l'utilizzo di elementi classici e orchestrali che si intrecciano con sonorità aggressive del genere death metal. Il loro sound è caratterizzato da una forte componente melodica, un ritmo incalzante e testi spesso ispirati a temi mitologici e filosofici. Tra i brani più rappresentativi figurano "The Day of Reckoning", "Fury" e "Beneath the Flesh". L'album di debutto, "Oracles", risale al 2010 e ha segnato l'inizio di una carriera costellata da successi e riconoscimenti. Fleshgod Apocalypse è considerato uno dei gruppi più innovativi nel panorama metal italiano, capace di unire potenza e raffinatezza musicale.
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