Une berceuse aux notes fatales
Un chantage sublimal
Un baiser de trop au faux air familial
Une caresse rien de méchant
D'une adulte à un enfant
Aucun danger parait qu'on est du meme sang
Et je cours depuis ce jour
Je cours refaire le meme amour
C'est tout ce que je sais donner au monde et le monde me le renvoie
Et je cours après l'amour
Le genre qui resterait toujours mais tout ce que je sais donner au monde est ma honte qui n'est qu'à toi
Refrain :
Je reprends ma vie et tu resteras un voleur de lendemain
Quand je pars d'ici je ne me retourne pas, voleur de lendemain (bis)
T'as brouillé tous mes repères
Amour= satisfaire
Grace a toi j'ai peur de tout ce qui pourrait me plaire
Je vis comme si je n'avais pas le choix
Car je ne suis qu'un homme et un homme ca vie comme ca
Mais je ne suis un homme que depuis le jour ou je t'ai rendu ton batard d'amour.
Je le connais enfin le vrai je le donne et le monde me le rendra
Refrain :
Je reprends ma vie et tu resteras un voleur de lendemain
Quand je pars d'ici je ne me retourne pas, voleur de lendemain (bis)
Le silence tue l'amour
Le silence nous joue le pire des tours
L'amour revient toujours quand on vit un malheur au grand jour
Je reprends ma vie et tu resteras un voleur de lendemain
Quand je pars d'ici je ne me retourne pas, voleur de lendemain (bis)
Pierre Corneille (1606-1684) was a French playwright considered one of the most important figures of the 17th century, alongside Molière and Racine. Born in Rouen, he distinguished himself for his successful plays, characterized by a classical structure, incisive dialogues, and memorable characters. Among his most famous works are *Le Cid*, *Polyeucte* and *Horace*. Corneille was influenced by Greek-Roman classicism and Cartesian philosophy, which influenced his worldview and writing style. His works deal with themes such as love, honor, justice, and faith, with a particular focus on the struggle between individual and society. Corneille received numerous accolades during his lifetime, including election to the Académie Française in 1673. His influence on French theatre has been profound and lasting.
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