Life is like a fairground ride
Up and up, and blinded by the lights
Carousel keeps spinning 'round, faster and faster
But I don't ever want to stop
Don't want to get my bubble popped
I'm losing all reality, I don't care
But now I'm standing on my own
And I'm in someone else's clothes
The darkness is a gaping hole, keeps going under
Thought this was a good idea
Thought that I could have no fears
My body is in overload
Let me go
Felt like flying
Now I'm crying
But oh, what the hell did I get myself into?
What the hell did I get myself into?
What the hell, what the hell?
Woah-a-oh-oh-oh-oh-oh-oh-oh
I wish that I had a time machine
I could turn up all of the TV screens
I would keep running, and running away
Further and further every day
And now I'm on my own
Friends keep trying to call my phone
I told them that I'd never change, I was wrong
Felt like flying
Now I'm crying
But oh, what the hell did I get myself into?
What the hell did I get myself into?
What the hell, what the hell?
Woah-a-oh-oh-oh-oh-oh-oh-oh
Somebody get me back into reality
Somebody pull me back under
I kinda like it up here in the galaxy
Hiding, I will not be found, found
Tears of crystal fall down from my face
Losing my mind, losing my mind
You got my heart
I'm gone
Felt like flying
Now I'm crying
But oh, what the hell did I get myself into?
What the hell did I get myself into?
What the hell, what the hell?
Woah-a-oh-oh-oh-oh-oh-oh-oh
What the hell, what the hell?
What the hell?
What the hell, what the hell?
What the hell, hell?
Charlotte Emma Aitchison, known professionally as Charli XCX, is a British singer, songwriter, and actress. She began posting songs on Myspace in 2008 before entering the London rave scene. Signing a recording contract with Asylum Records in 2010, Charli XCX released a series of singles and mixtapes in the early 2010s. In 2012, she wrote and was featured on Icona Pop's "I Love It", which became her first number-one song in the UK and received global success, but her debut studio album, True Romance (2013), failed to meet commercial expectations.
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