You know I looked in the mirror and I had to look twice. Cause a great big change happenin' in my life
O yeah!
What happened to you, you know it happened to me. You see I was tied up, but now I'm free
Oh
When I think about You,
I can't explain it, I can't explain it.
There's no words in my vocabulary (vocabulary, vocabulary)
Can't even find it in the dictionary
How can I define, something so right and so real? Whoa!
It's too much 4x
Now I have been forgiven of all of my wrongs.
See this is why I started and this is my song.
I'm a brand new creature, I'm a different man. Yeah!
Well, because I've been touched by the great I Am!
When I think about You
I can't explain it, I can't explain it.
I can't describe what He's done for me.
He loosed the shakels and He set me free.
I wish that I could explain, ?cause everything He did, He did in His name.
All I can say
It's too much for me 4x
How can I define something so right and so real? Whoa!
It's too much, It's too much for me 4x
Yeah, yeah, yeah, yeah
It's too much
Andraé Edward Crouch was an American gospel singer, songwriter, arranger, record producer and pastor. Referred to as "the father of modern gospel music" by contemporary Christian and gospel music professionals, Crouch was known for his compositions "The Blood Will Never Lose Its Power", "My Tribute " and "Soon and Very Soon". He collaborated on some of his recordings with famous and popular artists such as Stevie Wonder, El DeBarge, Philip Bailey, Chaka Khan, and Sheila E., as well as the vocal group Take 6, and many popular artists covered his material, including Bob Dylan, Barbara Mandrell, Paul Simon, Elvis Presley and Little Richard. In the 1980s and 1990s, he was known as the "go-to" producer for superstars who sought a gospel choir sound in their recordings; he appeared on a number of recordings, including Michael Jackson's "Man In the Mirror", Madonna's "Like a Prayer", and "The Power", a duet between Elton John and Little Richard. Crouch was noted for his talent of incorporating contemporary secular music styles into the gospel music he grew up with. His efforts in this area helped pave the way for early American contemporary Christian music during the 1960s and 1970s.
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