We danced across your mother's kitchenette
While they swore in your father's president
Your brother used to come around the house
He knows better than to pull that bullshit now
I liked it when your hair was long
And the last thing we agreed on
Was Whitney Houston's national anthem
So you pull the ripcord, I'll crash the plane
You move closer, I pull away
The meaning keeps changing
The words are the same
We're still pretending we're not who we are
America's sweetheart, we tore her apart
Everything magic disappears anyway
America's a country club at best
Safe harbor for the famous and the blessed
Captain Kirk finally made it up to space
Like there's no one down here left for him to save
We're over-served and unimpressed
Let's pack it up and leave this mess
Playing Whitney Houston's national anthem
So you pull the ripcord, I'll crash the plane
You move closer, I pull away
The meaning keeps changing
The words are the same
We're still pretending we're not who we are
America's sweetheart, we tore her apart
Everything magic disappears anyway
Oh say can you see I'm dying here
Oh say can you see I'm trying dear (I'm trying dear)
We danced across your mother's kitchenette
While they swore in your father's president
You used to come alive when I'd walk in the room
And now we stumble over all our dreams coming true
As the evening sky drifts into dust
Still everything's about us
Except for Whitney Houston's national anthem
So you pull the ripcord, I'll crash the plane
You move closer, I pull away
The meaning keeps changing
The words are the same
We're still pretending we're not who we are
America's sweetheart, we tore her apart
Everything magic disappears anyway
Everything magic disappears anyway
Matt Nathanson, born Matthew Adam Nathanson in Los Angeles, California, in 1973, is an American singer-songwriter. Active since 2000, he gained popularity for his folk-rock style characterized by catchy melodies and introspective lyrics that explore themes of love, loss, and self-discovery. Nathanson is known for songs like "Come On Get Higher", "She's a Good One" and "Faster", featured in successful albums such as "Beneath These Fireworks" (2006) and "Some Mad Hope" (2008). His music has helped define the indie-rock of the 2000s, influencing a generation of singer-songwriters.
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