Einstuerzende Neubauten

Lyrics Yü-gung (fütter mein ego) Einstuerzende Neubauten

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Yü-gung (fütter mein ego)


Fütter mein Ego!
Fütter mein Ego!
Fütter mein Ego!
Lass uns noch was Wodka holen
russische Vitamine
Ich glaub, wir müssen nochmal hin
Ich glaub, der Typ schläft schon
Bestimmt! Niemals!
Zieh!
Niemals schlafen! Alles Lügen! Staubiges Vergnügen!
Telefon! Zieh!
Hörst du das nicht?
Eine fixe Idee geht durchs Zimmer
Riemenschneider schnitzt sie in meine Gehirnwindungen
dübelt sich in meinen Kopf
Später dann
kannst du Regale dran aufstellen, oder ...
Zieh! Telefon! Jetzt aber wirklich
Sag mal hörst du das nicht?
Zieh! Das brennt ja wie verrückt!
Fütter mein Ego!
Fütter mein Ego!
Fütter mein Ego!Ich bin das ganze chinesische Volk
und Yü-Gung kann Berge versetzen
und alles ist wichtig
Wovon reden wir denn die ganze Zeit?
Zieh! Pst!
Numb your ideals!
Numb your ideas...
Oder simpel deine Zähne!
In meinem Mund ist sowieso alles verrottet
und meine Nase hat direkten Zugang zum Gehirn
Ich bin 6 m gross und alles ist wichtig
Ich bin 9 m gross und alles ist mehr als wichtig
Ich bin 12 m gross und alles ist unvorstellbar
Fütter mein Ego
Fütter mein Ego!
Fütter mein Ego!
Fütter mein Ego a go go
Zieh!
Ich bin das ganze chinesische Volk
und Yü-Gung kann Berge versetzen
Bin 6m gross
Bin 9m gross
Bin 12m gross und
Fütter mein Ego
Fütter mein Ego!
Fütter mein Ego!
Heut Nacht!
Niemals schlafen
Alles Lügen
Staubiges Vergnügen

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The lyrics YÜ-GUNG (FÜTTER MEIN EGO) of EINSTUERZENDE NEUBAUTEN is also present in the album Halber mensch (1985)

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Biografia

Einstürzende Neubaten is a German experimental music group known for their noise rock and industrial approach. Founded in West Berlin in 1980 by Blixa Bargeld (vocals) and N.U. Unruh (drums), the band has undergone several compositional evolutions over the years, incorporating elements of classical music, electronics, and avant-garde. Known for their theatrical performances and the use of non-musical objects as instruments, Einstürzende Neubaten have helped define the German industrial sound of the 1980s. Among their most representative tracks are "Alles Wieder Offen", "Seutelsbach" and "The Garden of Delight". The album "Ende Neu" (1989) is considered a turning point in their career, marking a greater sonic experimentation.

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