En una reja encendida, llena de flores,
Herida por una rosa en el corazón,
Una mujer consumía, las ilusiones,
Cantando bajo la noche, coplas de amor,
De amor, guerras perdidas, claveles rotos,
De amor, arden las llamas de una pasión,
De amor resplandecían, sus ojos moros,
Como los tesoros del rey Salomón.
Cuando la luna se esconde, y el aire huele a jazmín,
Entre los brazos de un hombre,
La encuentro la noche, diciéndola así.
ESTRIBILLO:
Ay, cántame un pasodoble, un pasodoble torero,
Con voz de hombre, con voz de hombre,
Ay, que en tus ojos me muero,
Al compás de un pasodoble,
Entre tus brazos me he hecho a vivir
Con arte y garbo torero,
Aunque a nadie ya le importe,
Cántame un pasodoble,
Cántame un pasodoble,
Un pasodoble torero,
Lleno de sol y jazmín.
La luna va por los cielos, de centinela
Que a una mujer le han partio, su corazón,
Una noche clara y fría, llena de estrellas,
En una reja de flores, se enamoró,
La culpa de sea agonía, la tiene un hombre
Que en un beso prisionera se la llevó
Y en una cárcel de sueños y resplandores,
Caricias y flores, allí la dejó,
Cuando el amor le encendía,
Las luces del corazón,
Las niñas de Andalucía así me decían, con esta canción
(ESTRIBILLO)
Carlos Cano (1924-1987) was a Spanish singer and composer of copla, a traditional Iberian musical genre. Born in Madrid, Cano began his career in the 1940s, quickly becoming one of the most popular interpreters of copla. His warm and melodious voice, along with his melancholic and romantic compositions, captivated the Spanish public. Among his most famous songs are "El Relicario", "La Paloma del Amor" and "No Me Quieras". Cano collaborated with numerous successful Spanish artists and recorded several albums that became classics of copla. His music is still appreciated in Spain and worldwide, testifying to his lasting influence on Iberian musical culture.
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